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There was no fear of Filippino ever wandering about the Florentine streets cold and hungry as his father had done. And his training was very different too. Instead of the convent and the kind monks, he was placed under the care of a great painter, and worked in the master's studio with other boys as well off as himself.
It is chiefly famous now for its Filippino Lippi and two tombs by Mino da Fiesole, but historically it is interesting as being the burial-place of the chief Florentine families in the Middle Ages and as being the scene of Boccaccio's lectures on Dante in 1373.
The study is panelled in tarsia of beautiful design and execution. Three of the larger compartments show Faith, Hope, and Charity; figures not unworthy of a Botticelli or a Filippino Lippi. The occupations of the Duke are represented on a smaller scale by armour, bâtons of command, scientific instruments, lutes, viols, and books, some open and some shut.
And for this too he should be remembered, for his son was Filippino Lippo and his pupil Sandro Botticelli.
For this the Pope naturally excommunicated the captain of Mantua, and thereupon his neighbors made a great deal of pious war upon him. Meantime, while Passerino had done everything to settle himself comfortably and permanently in the tyranny of Mantua, his worthless son Francesco fell in love with the wife of Filippino Gonzaga.
Florentine painters had been wont to place attendant angels at both sides of their enthroned Madonnas. Fine examples might be chosen from the work of Filippino Lippi and Botticelli. But their angels were winged and clothed like acolytes; the Madonna was seated on a rich throne or under a canopy, with altar-candles, wreaths of roses, flowering lilies.
In that panel, wherein he was painting the Deposition of Christ from the Cross, Filippino had finished the figures of Nicodemus that are taking Him down; and Pietro continued the lower part with the Swooning of the Madonna, and certain other figures.
For taking service, as he did, with the Pollaiolos, Verrocchio, Nanni di Banco, and even with Filippino and Botticelli, wherever his inquisitive mind could learn, or his restless, fastidious, laborious talent gain him bread, it is presumable that much of his work might be discovered alongside that of his masters, in the collective productions of the various workshops.
There is a picture by Filippino Lippi, which appears to me eminently beautiful and poetical. Here the mystical garden is formed of a balustrade, beyond which is seen a hedge all in a blush with roses. John also kneels, and four angels, in attitudes of adoration, complete the group.
Save in easel pictures, therefore, there is often a distressing confusion, a sort of dreary random packing, in the works of men like Uccello, Lippi, Pollaiolo, Filippino, Ghirlandaio, and even Botticelli.
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