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A minute later he comes out from behind the stove and asks: "Where is my greatcoat?" The grandmother and the other children look for the greatcoat together, they waste a long time in looking for it, but the greatcoat has utterly vanished. Where is it? The grandmother and Vassya are pale and frightened. Even Yegoritch is surprised. Putohin is the only one who does not move.

And when he gets home Putohin sobs, mutters some incoherent words, bows down to the ground before his mother and Yegoritch, and the locksmith's table. Then, recovering himself a little, he runs to me and begs me breathlessly, for God's sake, to find him some job. I give him hopes, of course. "At last I am myself again," he said. "It's high time, indeed, to come to my senses.

And we shall have no mercy on you! If you get away from us today, we shall begin again to-morrow. Alyoshka, where's the knife?" "David Yegoritch," wailed Vassily, "don't commit murder.... What are you doing! The watch ... I certainly ... I was joking. I'll give it to you this minute. What a thing, to be sure! First you are going to slit Hrisanf Lukitch's belly, then mine.

Near the old princess, and filling up almost the whole space between the two windows, was a flaxen curly-headed young man, a hussar, with a rosy face and prominent eyes. 'What a funny little thing! Zinaida was saying; 'and its eyes are not grey, but green, and what long ears! Thank you, Viktor Yegoritch! you are very kind.

The old woman, coming back from the Jews with twenty kopecks, exhausted and aching all over, sets to work to wash the children's clothes. Vassya is sitting doing a sum. Yegoritch is not working. Thanks to Putohin he has got into the way of drinking, and is feeling at the moment an overwhelming desire for drink. It's hot and stuffy in the room.

Granny would stand up for Vassya, and his father would strike granny too; it would end in Yegoritch getting mixed up in it too, clutching at his father and falling on the floor with him. The two would roll on the floor, struggling together and gasping with drunken animal fury, and granny would cry, the children would scream, the neighbours would send for the porter. No, better not cry.

Steam rises in clouds from the tub where the old woman is washing. "Are we going?" Yegoritch asks surlily. My lodger does not answer. After his excitement he feels insufferably dreary. He struggles with the desire to drink, with acute depression and . . . and, of course, depression gets the best of it. It is a familiar story.

There are a dozen sharply-pointed pencils and several penholders fitted with new nibs, put in readiness that no accidental breaking of a pen may for a single second interrupt the flight of his creative fancy. Ivan Yegoritch throws himself back in his chair, and closing his eyes concentrates himself on his subject.

IVAN YEGORITCH KRASNYHIN, a fourth-rate journalist, returns home late at night, grave and careworn, with a peculiar air of concentration. He looks like a man expecting a police-raid or contemplating suicide.

It seemed to me that he himself, his children, the grandmother and Yegoritch, were already marked down by that unseen being which lived with them in that flat. I am a thoroughly superstitious man, perhaps, because I am a houseowner and for forty years have had to do with lodgers.