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Updated: June 23, 2025
The effect of his appearance was aggravated by his dress, which consisted of a jack, or jacket, composed of thick buff leather, on which small plates of iron of a lozenge form were stitched, in such a manner as to overlap each other and form a coat of mail, which swayed with every motion of the wearer's body.
Pumblechook's own room was given up to me to dress in, and was decorated with clean towels expressly for the event. My clothes were rather a disappointment, of course. Probably every new and eagerly expected garment ever put on since clothes came in, fell a trifle short of the wearer's expectation.
It might even be pleasing to see the street dominated with a more graceful top-hat modelled on the Eiffel Tower, and signifying the wearer's faith in scientific enterprise, or perhaps in its frequent concomitant of political corruption.
This was for him to wear what is called a half-mask, which covers only the forehead and nose, but if arranged with skill alters entirely the wearer's appearance so that his nearest friend would not recognise him without interfering materially with his comfort.
Electric lights in the long dark months made it possible to keep the place easily in perfect order; but with increased activity came increased conveniences such as hooks in the stalls to hold each dog's harness, which was marked with the wearer's name, and many other trouble-saving devices that would prevent confusion when they were preparing for their frequent runs.
First, there came a helmeted cuirassier, with his wife in blue satin, and a little boy in his hand in uniform, with a wooden sword, a perfect miniature of the father; then a group of short-petticoated, shuffling French women, each with an Italian greyhound in slips, followed by an awkward Englishman with a sister on each arm, all stepping out like grenadiers; then came a ribbon'd chevalier of the Legion of Honour, whose hat was oftener in his hand than on his head, followed by a nondescript looking militaire with fierce mustachios, in shining jack-boots, white leathers, and a sort of Italian military cloak, with one side thrown over the shoulder, to exhibit the wearer's leg, and the bright scabbard of a large sword, while on the hero's left arm hung a splendidly dressed woman.
His doublet was prolonged behind into something resembling a violent exaggeration of what is now termed a "swallow-tail," but was much obscured by the swelling folds of an enormous black, glossy-looking cloak, which must have been very much too long in calm weather, as the wind, whistling round the old house, carried it clear out from the wearer's shoulders to about four times his own length.
It consisted of two pieces of stuff little wider than the greatest width of the wearer's body, tied by the corners over each shoulder, belted at the waist with a thong and laced together with fiber at the sides, from the hips to a point just above the knee. It was open above and below this simple seam and interfered not at all with the freedom of the wearer's movements.
Some of them, by some ancient biochemical quirk, were intensely thermofluorescent; worn as gems, they glowed from the wearer's body heat. On Terra or Baldur or Freya or Ishtar, a single cut of polished sunstone was worth a small fortune. Even here, they brought respectable prices from the Zarathustra Company's gem buyers.
All types of artists were to be seen tall men with long hair, wearing hats of mouse-gray or black and of indescribable shapes, large and round like roofs, with their turned-down brims shadowing the wearer's whole chest. Others were short, active, slight or stocky, wearing foulard cravats and round jackets, or the sack-like garment of the singular costume peculiar to this class of painters.
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