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Updated: May 20, 2025
We then drove through several miles of Fairmount Park, stopping for a few minutes in the hope of finding the late J. G. Johnson's Vermeer in the gallery there; but for the moment it was in hiding, the walls being devoted to his Italian pictures.
"It is real," said Vieyra. "You are the first to see it. I wished to observe how " "It's an unknown Vermeer!" The doctor brought his big white hand down loudly on this discovery. "Nobody but Vermeer could have done the plaster wall in the sunlight. And the girl's strange gray head-dress must be seventeenth-century Dutch of some province I don't "
I have enjoyed the privilege and pleasure of viewing the Widener Vermeers, and I believe that the Sleeping Servant she may not be intoxicated, a jug on the table being the only evidence; certainly her features are placid enough; besides, Vermeer did not indulge in paintings of low life as did Teniers, Ostrade, or Jan Steen is about the same period as The Merry Company, in the Dresden gallery, that is, if paint, texture, and arrangement of still-life be any criterion.
The older methods of painting gave the local color of an object, with an admixture of white for the lights, and a warm dark for the shadows; the modern which had been touched on, indeed, sporadically, by Perugino and Vermeer, for instance, gives in the shadow the complementary color of the object combined with that of the light falling upon it all conditions of favorable stimulation.
This is precisely what we know of Jan Vermeer of Delft, in which city oddly enough there is not a single canvas of his. In 1632 he was born there. In 1653 he married Catherine Bolnes; he was just twenty-one years old. His admission to the corporation of painters as a master occurred the same year, as the books attest. In 1662 he was elected dean of the corporation, and again in 1670.
"At Delft I saw the painter Vermeer," he writes, "but none of his works were at his atelier; at a baker's I saw a figure for which was paid six hundred livres." At a bakeshop! Vermeer, then, literally painted for his bread. Even nowadays the public has not been converted to the idea of the greatness of Vermeer.
Their art is an effort to bring back the artistic quality of the most artistic naturalism ever practised, that of Vermeer of Delft. Others of our artists are going still further back in the history of art for a part of their inspiration. Mr.
It is largely because he is so accomplished a musician in color and composition that Jan Vermeer can make the inside of a room or some commonplace act by a commonplace person the object of an intense and sympathetic contemplation.
John Gardner owns The Concert. So the importance of the 1696 catalogue is indisputable. And now, after wading through this dry forest of figures and dates and haphazard or dogmatic attributions, we are at the fatal number, thirty-four only thirty-four authentic Vermeers in existence. Some one must be mistaken. Who owns the thirty-fifth Vermeer? I again ask.
He had the repose and the firm, virile line of the classics, while his vision of actuality has never been surpassed. The Dutch Terburg, Vermeer, Van der Helst, Frans Hals saw as vividly the surfaces of things material; the last alone was the match of Velasquez in brushwork, but not Rembrandt recorded in his Anatomy Lesson the facts of the case as did Velasquez.
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