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I doubt whether all those teachers did for Christianity as much as an artist Sienkiewicz did with his charming story, "Quo Vadis?" He aroused so much interest, and so many sympathies even among the unbelievers; I am sure he converted to Christianity many more than any propaganda fides working on a half-political, half-scientific foundation.

Both Roman Catholics and both revolutionists in religion. The religious revolution they made can be characterised only by the words "noble catholicity." Both of them were attracted by Primitive Christianity much more than by the official Church of their own time. Sienkiewicz's work "Quo Vadis?" is by far better known than Mickiewicz's lectures on "The Official Church and Messianism."

Therefore, I must be not only specially careful as to what I did from day to day, but I must think out for myself an answer to the journalistic interrogatory "Quo vadis?" What is the journalist's function in the State, and how am I to carry it out?

Through the arches to the right and left above a low wall are seen the beginning and the end of his ministry. On the one side he is leaving his boat and his nets to become a fisher of men, and on the other he kneels before the vision of Our Lord, when fleeing from Rome he met Him at the place now called 'Quo Vadis' on the Appian way, and so was turned back to meet his martyrdom.

A manager, or director, will decide on the importance of the various scenes, and then divide up the film, giving so many feet to each act. The standard length of film is a thousand feet. It comes in thousand foot reels, but some plays are so elaborate that two, three or even seven reels have been given up to them. Great scenic productions, such as "Quo Vadis?" use up many thousand feet of film.

Some other author would perhaps have stopped after producing "Quo Vadis," without any doubt the best of Sienkiewicz's books. But Sienkiewicz looks into the future and cares more about works which he is going to write, than about those which we have already in our libraries, and he renews his talents, searching, perhaps unknowingly, for new themes and tendencies.

It was indeed not an external technical advance only which led from Edison's half a minute show of the little boy who turns on the hose to the "Daughter of Neptune," or "Quo Vadis," or "Cabiria," and many another performance which fills an evening. The advance was first of all internal; it was an esthetic idea.

"Citizeness, don't you remember the stone footprint of our Lord in the church of Domine quo vadis? And may not the footprint of an angel have been left in the sand of the Colosseum for a devout artist to copy in his sketch-book? Such a sketch is enough for the Cittadino Scalcagnato to make a pair of shoes from, so that they cannot fail to fit." The princess turned rosy red.

It seemed to Nazarius that he had fainted or was dead; but he rose at last, seized the staff with trembling hands, and turned without a word toward the seven hills of the city. The boy, seeing this, repeated as an echo, "Quo vadis, Domine?" "To Rome," said the Apostle, in a low voice. And he returned.