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Updated: June 11, 2025
The problem of British taciturnity passed his comprehension; but for us the enigma of Tolstoy's temperament is half solved if we see him not harshly silhouetted against a blank wall, but suffused with his native atmosphere, amid his native surroundings.
As I sat in the library of the big house reading Tolstoy's Anna Karenina, I overheard Darrie telling Ruth in the bathroom that Hildreth would not have insisted on donning her tights, if she had not been proud of her symmetrical legs, and had not wanted to show them off to me.
At the turning-point of the book, and long before the turning-point is reached, she is simply the heroine of a particular story; what she had been Tolstoy made it quite clear was the heroine of a much more general story, when she came dancing in on the crest of the new wave. It is a change of attitude and of method on Tolstoy's part.
This prefatory note aims, therefore, at being less strictly biographical than illustrative of the contributory elements and circumstances which sub-consciously influenced Tolstoy's spiritual evolution, since it is apparent that in order to judge a man's actions justly one must be able to appreciate the motives from which they spring; those motives in turn requiring the key which lies in his temperament, his associations, his nationality.
Wagner's wonderful dreams and magic intuition of the inner life are not less valuable to us than Tolstoy's pitiless truth, in which he exposes modern society and tears away the veil of hypocrisy with which she covers herself.
A large and merry party of Count Tolstoy's children and relatives escorted us: some in the baggage cart, perched on our luggage; some in the jaunting-car-like lineika with us, on our moonlight drive to the little station where we were to join the train and continue our journey southward.
I sent it back to America for identification of the picture, and it was lost between New York and Boston; which reconciled me to the possible carelessness of the Russian post-office in the case of the newspapers just cited. My next experience was with Count Lyeff N. Tolstoy's work entitled "Life."
"It's hard to say which is the more dreadful the ugly, misshapen human race without clothes or in the clothes it insists on wearing. And the talk at that tea! Does no one ever say a pleasant thing about anyone? Doesn't anyone ever do a pleasant thing that can be spoken about? I read this morning Tolstoy's advice about resolving to think all day only nice thoughts and sticking to it.
You cannot deal with Tolstoy's and Flaubert's subjects in the absolute artistic freedom of Tolstoy and Flaubert; since De Foe, that is unknown among us; but if you deal with them in the manner of George Eliot, of Thackeray, of Dickens, of society, you may deal with them even in the magazines. There is no other restriction upon you.
But the procession which passes across our line of sight in the reading must be marshalled and concentrated somewhere; we receive the story of Anna bit by bit, all the numerous fragments that together make Tolstoy's book; and finally the tale is complete, and the book stands before us, or should stand, as a welded mass. We have been given the material, and the book should now be there.
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