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Updated: June 8, 2025


She gazed on her cheerful guests with a kind of pride, and seemed to be devoting her attention to each exclusively, now asking the Delphian how he had succeeded in his mission, then the Sybarite whether he was content with the performances of her cook, and then listening eagerly to Ibykus, as he told how the Athenian, Phrynichus, had introduced the religious dramas of Thespis of Ikaria into common life, and was now representing entire histories from the past by means of choruses, recitative and answer.

Every one who only looks backward, and not clearly forward, will, however high and honourably he stands, say, that if such riches lie in knowledge, they would long since have been made available by great and immortal bards, who had a clear and sagacious eye for the discovery of truth. But let us remember that when Thespis spoke from his car, the world had also wise men.

The theatre to which he has introduced us, is immeasurably beyond the old one which he found. To say that he found, in the visible universe, a little wooden theatre of Thespis, a treteau or shed of vagrants, and that he presented us, at a price of toil and of anxiety that cannot be measured, with a Roman colosseum, that is to say nothing.

Both forms received their earliest development in the Dorian States, and were particularly cultivated by the Megarians. “Thespis, a native of Icaria, first gave to tragedy its dramatic character, in the time of Pisistratus, B.C. 535. He introduced the dialogue, relieved by choral performances, and the recitation of mythological and heroic adventures.

Their occupation was music and dancing "with a stick;" in fact, they were performers in those curious and extremely ancient Fescennine farces, or Atellanae, which are depicted on ancient vases, and are still acted on the roads in Egypt as they were in Greece before the days of Thespis.

Six or seven members of the club abruptly discovered in themselves an unsuspected latent passion for the histrionic art. Even the shabby homes of the drama over in the Bowery, where the Germanic Thespis has not taken out his naturalization papers, underwent rigid exploration. But no clew was found to Van Twiller's mysterious attachment.

He was a smart old gentleman, too, well and scrupulously attired and groomed, and his blue bird's-eye necktie, worn at a rakish angle, gave him the air of something of a sporting man rather than of a follower of Thespis. His fellow members of the Oliver company seemed to pay him great attention, and at various points of the proceedings whispered questions to him as to an acknowledged authority.

The words and phrases remained in the tradition, but the forms of art and activity which they denoted had sometimes changed in the interval. If we date the Poetics about the year 330 B.C., as seems probable, that is more than two hundred years after the first tragedy of Thespis was produced in Athens, and more than seventy after the death of the last great masters of the tragic stage.

Are you happy with such a face as that? "Such a face?" "Yes; I tell you that you look as if you had just parted with all your hopes as if some adverse fate had deprived you of the privilege of living in this temple of Thespis and the muses. You could not look more doleful if I had threatened never to read any more of my great poem to you." "Couldn't?" said Verty, listlessly. "No."

One night Corny had an adventure. After absorbing the delights of an hour's lounging in the principal hotels along Broadway, he passed up into the stronghold of Thespis. Cab drivers hailed him as a likely fare, to his prideful content. Languishing eyes were turned upon him as a hopeful source of lobsters and the delectable, ascendant globules of effervescence.

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