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For Bishop Wycliffe had entered the room quietly and stood behind his daughter, listening to the speech with a wide, appreciative smile. "It is extremely probable," he now answered. "I shall be surprised if some such innovation is not introduced. And why not? Tempera mutantur, my friend.

Being in tempera it cannot be cleaned, and a dulness is overlaying it; but nothing can deprive the figure of Spring of her joy and movement, a floating type of conquering beauty and youth.

Finally, tempera pictures and frescoes were often of limited size or of feeble color. But the great mosaics of the twelfth and thirteenth centuries covered the walls and roofs of the churches with inevitable lustre; they could not be ignored or escaped from; their size rendered them majestic, their distance mysterious, their color attractive.

The word, in fact, characterises that artist whose temperamental preoccupation is with revelation of the actual inter-relating spirit of life, character, and thought, with a view to enlighten himself and others; as distinguished from that artist whom I call romantic whose tempera mental purpose is invention of tale or design with a view to delight himself and others.

Were the same primitive treatment applied to the later work painted in the oil medium as has been used by Botticelli in his tempera picture, the robustness of the curves would have offended and been too gross for the simple formula; whereas overlaid and hidden under such a rich abundance of natural truth as it is in this gorgeous picture, we are too much distracted and entertained by such wealth to have time to dwell on the purity of the line arrangement at its base.

The facade and the side portico are perhaps now the most genuine parts of the church. The chief treasure is, however, not of the Middle Age at all, but of the Renaissance, and consists of four large pictures painted in tempera, probably organ shutters, representing the Annunciation, S. Peter Martyr, and S. Dominic. They are the excellent work of Niccold Rondinelli the pupil of Giovanni Bellini.

Ever since the storm-cloud brought us the too transient shower the sky has been tolerably clear, and although at that time the wind had slightly freshened, it has since dropped, and the sail hangs idly against our mast. Except for the trifling relief it brings by modifying the tempera- ture, we care little now for any breeze.

"multos numerabis amicos, Tempera cum erunt nubila, nullus erit," and he was this summer doomed to a still harder deprivation by the final departure of his brother John from the Netherlands. The Count had been wearied out by petty miseries. His stadholderate of Gelderland had overwhelmed him with annoyance, for throughout the north-eastern provinces there was neither system nor subordination.

This painting was a revelation to me. Except that it was executed in tempera instead of oil, it differed in no respect from modern work. There was nothing archaic or even ancient about it.

Oil-paintings gradually deepen in tone; while tempera, if protected from humidity, retain their brilliancy and clearness as long as the material on which they rest endures.