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Updated: May 9, 2025
In Stendhal's novel, La Chartreuse de Parme, it is with a very profound intuition that Count Mosca, furious with jealousy because of the love which he believes unites the Duchess of Sanseverina with his nephew Fabrice, is made to say, "I must be calm; if my manner is violent the duchess, simply because her vanity is piqued, is capable of following Belgirate, and then, during the journey, chance may lead to a word which will give a name to the feelings they bear towards each other, and thereupon in a moment all the consequences will follow."
And guess what he replied? That he thought of a recipe of Stendhal's to recite from memory four Latin verses, before firing. 'And might one know what you chose? I asked of him. Thereupon he repeated: 'Tityre, tu patulae recubens!"
The Definition of Erotic Symbolism Symbolism of Act and Symbolism of Object Erotic Fetichism Wide extension of the symbols of Sex The Immense Variety of Possible Erotic Fetiches The Normal Foundations of Erotic Symbolism Classification of the Phenomena The Tendency to Idealize the Defects of a Beloved Person Stendhal's "Crystallization."
Yriarte is interesting, inasmuch as he deals with the apparition of Goya in Rome, an outlaw, but a blithe one, who, notebook in hand, went through the Trastevere district sketching with ferocious rapidity the attitudes and gestures of the vivacious population. A man after Stendhal's heart, this Spaniard. And in view of his private life one is tempted to add and after the heart, too, of Casanova.
It is, too, the best of the essays as regards discrimination. There are no shades of Stendhal's genius, whether making for good or for ill, that are missed by this analyst, and, moreover, both the lights and shadows are justly distributed... He seeks to show you the color of a man's mind, and it is evidence of his validity as an essayist that straightway he interests you in the color of his own.
Then we read together the other day 'Rouge et Noir', that powerful work of Stendhal's, and he observed that it was exactly like Balzac 'in the raw' in the material and undeveloped conception . . . We leave Pisa in April, and pass through Florence towards the north of Italy . . . Mr. and Mrs.
Its vibrations compose no piece, exhaust no theme, achieve no melody, carry out no programme, but they express the innermost life of man. June 1, 1880. Stendhal's "La Chartreuse de Parme." A remarkable book. It is even typical, the first of a class. Stendhal opens the series of naturalist novels, which suppress the intervention of the moral sense, and scoff at the claim of free-will.
There I was to deliver up my horse at the Zwolle-Haus inn, before enquiring for M. Stendhal, the East India merchant. To him I was to give a letter, which for safety was rolled into a blank cartridge in my little pistol cartridge box. After that, I was to stay at M. Stendhal's house, keeping out of harm's way, till I received further orders from my masters.
Perhaps they have never read Stendhal's De l'Amour, but unconsciously they put it in practice. They have by heart their chapters Love-Taste, Love-Passion, Love-Caprice, Love-Crystalized, and more than all, Love-Transient. All is good in their eyes.
The Definition of Erotic Symbolism. Symbolism of Act and Symbolism of Object. Erotic Fetichism. Wide Extension of the Symbols of Sex. The Immense Variety of Possible Erotic Fetiches. The Normal Foundations of Erotic Symbolism. Classification of the Phenomena. The Tendency to Idealize the Defects of a Beloved Person. Stendhal's "Crystallization". Foot-fetichism and Shoe-fetichism.
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