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Updated: June 6, 2025
In "Semiramide" particularly she made an extraordinary impression, as it afforded room for the finest tragic action; and the music, trivial as it was, gave full scope for the extraordinary perfection of her voice. She also appeared in comic operas, and in Paesiello's "La Frascatana" particularly delighted the public by the graceful lightness and gayety of her comedy.
Viardot made her reappearance on the French stage at the Théâtre Italien as Arsace in "Semiramide," supported by Mme. Grisi and Tamburini. There was at this time such a trio of singers as is rarely found at any one theatre, Pauline Viardot, Giulia Grisi, and Fanny Persiani, each one possessing voice and talent of the highest character in her own peculiar sphere.
The English singer passed from city to city of Italy, everywhere arousing the liveliest admiration. Her début in Venice was to be in "Semiramide," written expressly for her by Nasolini, a young composer of great promise. Illness, however, confined her to her bed for six months, in spite of which the impressario paid her salary in full.
Her long coal black tresses were dressed high on her head, which was bound round with the everlasting Madras handkerchief, in which pale blue was the prevailing colour; but it was elegantly adjusted, and did not come down far enough to shade the fine development of her majestic forehead Pasta's in Semiramide was not more commanding.
His fine rendition of the character of Bignolio might as well have been played to a select company of gravestones. There was a necessary interval of twenty minutes for the fitting out of the stage during which time the amateur orchestra performed selections from "Semiramide," but, happily, not loud enough to interfere with the easy flow of conversation all over the room.
At about two in the morning anybody passing the Memmi palace would have seen light pouring out of every window across the Grand Canal, and have heard the delightful overture to Semiramide performed at the foot of the steps by the orchestra of the Fenice, as a serenade to la Tinti. The company were at supper in the second floor gallery.
"Permit me to leave it unaccepted and unrejected. I will think it over; and my wife must be consulted first in any case." Julie had returned to the piano. This time she sang a song from Semiramide, Son regina, son guerriera, and the whole room applauded, a stifled outburst of wellbred acclamation which proved that the Faubourg Saint-Germain had been roused to enthusiasm by her singing.
Her genius was now fully appreciated, and she had obtained one of those triumphs which form the basis of a great renown. With astonishing ease she passed from Semiramide to Anna Bolena, then to Desdemona, to Donna Anna, to Elena in the "Donna del Lago."
But I expect the Colonel was there. He's upstairs in the Mayoralty, dining. He's quite an old man, but I've heard father say he was as brave as a lion when the fighting happened." The girl climbed off the gun. "I'm going to have a look at him," she said; and turning her back on Taffy, she sauntered off across the square, just as the band struck up the first note of the overture from Semiramide.
The London public got the benefit of this amity, for the manager of the King's Theatre was able to produce operas in which they sang together, among them being "Semiramide," "Don Giovanni," "Nozze di Figaro," and "Romeo e Giulietta" Malibran playing the hero in the latter opera.
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