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Updated: April 30, 2025
Vous meme, ou seriez vous, vous qui la combattez, Si toujours Antiope, a ses loix opposee, D'une pudique ardeur n'eut brule pour Thesee? In Berenice, Antiochus receives his confidant, whom he had sent to announce his visit to the Queen, with the words: Arsace, entrerons- nous?
"Her Majesty's" secured the possession of Jenny Lind, who became the great support of the old house, as Grisi was of the new one. The appearance of Mme. Grisi as the Assyrian Queen and Alboni as Arsace thronged the vast theatre to the very doors, and produced a great excitement on the opening night.
She was equally grand as Semiramide and as Arsace, and sang the music of both parts superbly. Touching, profoundly melancholy as Desdemona, she was gay and graceful in Rosina; she drew tears as Ninetta, and, throwing off the coquette, could produce roars of laughter as Fidalma. She had never taken lessons in poses or in declamation, yet she was essentially, innately graceful. Mme.
The scene in the first act where the specter of her murdered consort appears she made so thrilling and impressive that some of the older opera-goers compared it to the wonderful acting of Garrick in the "ghost-scene" of "Hamlet"; and those when she learns that Arsace is her son, and when she falls by his hand before the tomb of Ninus, were recounted in after-years as among the most startling memories of a lifetime.
Viardot made her reappearance on the French stage at the Théâtre Italien as Arsace in "Semiramide," supported by Mme. Grisi and Tamburini. There was at this time such a trio of singers as is rarely found at any one theatre, Pauline Viardot, Giulia Grisi, and Fanny Persiani, each one possessing voice and talent of the highest character in her own peculiar sphere.
So, when she made her bow to the London public as Arsace, in "Semiramide," the audience gazed at her with a sort of languid and unexpectant curiosity. But Alboni found herself the next morning a famous woman. People were astounded by this wonderful voice, combining luscious sweetness with great volume and capacity.
This quarrel was afterward made up between them when they were engaged together in London the following year, 1828. This reconciliation was brought about by M. Fetis, who had accompanied them from Paris. He proposed to them that they should sing for one of the pieces at a concert in which they were both engaged, the duo of Semiramide and Arsace, in Rossini's opera.
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