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Updated: May 10, 2025


The earliest tombs along the Appian Way were constructed of these different varieties of building materials. The sarcophagi of the Scipios were hollowed out of simple blocks of peperino stone; and the sculptor's art and the material in which he wrought were worthy of the severe simplicity of the heroic age.

In the Perseus of Cellini we admire the sculptor's spirit, finish of execution, and originality of design, while we deplore that want of sympathy with the heroic character which makes his type of physical beauty slightly vulgar and his facial expression vacuous.

The sculptor's capacities had commanded the Emperor's esteem, his fresh and independent nature had at first suited and attracted him, but even during the walk together through the streets, the young man's uncompromising manner of treating him as an equal had become unpleasing to him.

They now left the sculptor's temporary studio, without observing that his last accidental touches, with which he hurriedly effaced the look of deadly rage, had given the bust a higher and sweeter expression than it had hitherto worn.

At present, indeed, its more obvious aspect on the moral and ethical side is destruction, any one can see the chips flying, but it still demands a certain faith and patience to see the form that ensues. But it is not destruction, any more than a sculptor's work is stone-breaking.

The secretary had just measured the figure, and the result seemed to have established the fact that Quarles's contention was right. This evidently pleased him, and he was inclined to give way on minor points of difference. "No doubt the sculptor's perspective has something to do with it," he said; "but we must not forget that the group is symbolic.

Her heart began to beat faster, and at the same time questions crowded on her excited brain, each bringing with it fresh anxiety for those she loved, of whom, till now, she had been thinking with calm reassurance. Whither had Alexander fled? Had her father and Philip succeeded in concealing themselves in the sculptor's work-room?

A playfulness came out of his heart, and glimmered like firelight in his actions, alternating, or even closely intermingled, with profound sympathy and serious thought. "Is he not beautiful?" said Miriam, watching the sculptor's eye as it dwelt admiringly on Donatello. "So changed, yet still, in a deeper sense, so much the same!

The former at once perceived that something was weighing on the sculptor's mind, but he did not need any long inquiry. He had come to confide his troubles to her, and she kindly lightened the task for him by asking why he had not gone to breakfast with the Pelusinians. "Because I am not fit for gay company today," was the reply. "Again dissatisfied with Fate?"

His mother, a girl of nineteen years, put him out to nurse at a country house among the hills of Settignano, where every other inhabitant is a worker in the marble quarries, and the child early became familiar with that strange first stage in the sculptor's art. To this succeeded the influence of the sweetest and most placid master Florence had yet seen, Domenico Ghirlandajo.

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