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Updated: May 16, 2025
Strange, the evening before, Frederick had still been able to laugh; to-day he felt as if the gravity of his being were turned to brass and had laid itself about him, not like an iron mask, not like a leaden cloak, but rather like a heavy metal sarcophagus. He knew a man, an architect verging on middle age, who had been on the island of Ischia during the last great earthquake there.
And there they lay, the brown sons and daughters of Mizraim, side by side with their gods, wrapt with them in the same stoney, dreamless slumber. One mummy struck me much. It lay in a stone sarcophagus, the same in which the hands of wife or child mayhap had placed it; and there it had slept on undisturbed through all the changes and hubbub of four thousand years.
And I sensed I was a prisoner, for the snow was everywhere deep, and drifted in places. So all the morning I remained indoors, looking up the drive at the shrubs so heavily plumed with snow, at the gateposts raised high with a foot or more of extra whiteness. Or I looked down into the white-and-black valley that was utterly motionless and beyond life, a hollow sarcophagus.
It was quite unlike anything I had ever seen, and did not resemble any stone or gem that I knew. I took it to be some unique mother-stone, or matrix of some gem. It was wrought all over, except in a few spots, with fine hieroglyphics, exquisitely done and coloured with the same blue-green cement or pigment that appeared on the sarcophagus.
Rumor had not lied; the goddess really found the sarcophagus and the dead body of her husband on the northern shore of the lake. The connection between Phoenicia and Egypt in this myth, as it has been handed down to us by Plutarch, is very remarkable.
Martino Doria is said to have become a monk, and to have died in the monastery of S. Fruttuoso at Portofino, where, too, lie many of the Doria family; but certainly as early as 1298 S. Matteo became the monument of the Doria greatness, for Lamba Doria, the victor of Curzola, where he beat the Venetian fleet, was laid here, as you may see from the inscription on the old sarcophagus at the foot of the façade of the church to the right.
He was one of those outwardly calm and inwardly excitable and nervous people we sometimes encounter without detecting the fire beneath the marble, the ever-burning lamp in the sarcophagus, unless we lift the lid of rock to find it an effort scarcely worth the making in any case, for at best it lights only a tomb.
He, however, advanced up the Nile, ravaging and plundering the country as he went on, and at length, in the course of his conquests, he gained possession of the tomb in which the embalmed body of Amasis was deposited. He ordered this body to be taken out of its sarcophagus, and treated with every mark of ignominy.
In these circumstances, the Grand Duke wrote Goethe a note, proposing for his approval that the skull and skeleton of Schiller should be reunited and 'provisionally' deposited in the vault which the Grand Duke had built for himself and his house, 'until Schiller's family should otherwise determine. No better plan seeming feasible, Goethe himself gave orders for the construction of a sarcophagus.
On the outside of the sarcophagus are painted the arms of his family. The whole is kept in good repair, for so determined was the good man that his memory should be kept alive, and his last resting-place well cared for, that he gave to the church in perpetuity the sum of 20s. per annum, to be expended in keeping the niche and coffin in good order.
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