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It suddenly disappears into what is ordinarily called the second movement, a pastoral, in which the piano is answered by the oboe, flute, clarinet, and finally the horn. This is gradually appassionated until it is merged into the reprise of the first movement proper. During this reprise little glints of reminiscence of the pastoral are seen.
Of the Reprise, or redoubled Thrust. The Term Reprise signifies a succession of Thrusts without Interval, or with very little. It may be done in three Manners; First after having pushed without recovering, Secondly, in recovering or being recovered; and Thirdly, when the Enemy steals Measure. The first and last of these three Reprises may be called Redoubles.
An infant thus affected sleeps even more than new-born infants usually do; its voice is very feeble, and rather a whimper than a cry. In the cry of the healthy infant you at once detect two parts the loud cry, suffering or passionate as the case may be, and the less loud back draught of inspiration. The French have two words for these two sounds the cri and the reprise.
In the reprise there is a climax that thrills one even as he tamely reads the score, and must be overpowering in actual performance: the cheerful consolation of the second subject provokes a cyclonic outburst of grief; there is a furious climax of thrilling flutes and violins over a mad blare of brass, the while the cymbals shiver beneath the blows of the kettledrum-sticks.
The reprise is not long delayed, and the second subject appears, contrary to custom, in the tonic major instead of the tonic minor. The coda is deliciously tender and beautiful, possibly because, being a prologue, the work must prepare for a drama that begins cheerfully; possibly because after all there is comfort in bliss remembered in sorrow.
The cri is feeble, the reprise is altogether wanting wherever expansion of the lung has to any considerable extent failed to take place, and you would hail this second sound as the best proof of an improvement in the child's condition.
The first Reprise is made after having pushed Quart, the Enemy having parryed with his Feeble, you must return in Seconde, advancing the left Foot a little to make the Action easier to the right Foot, and tho' it be not necessary to advance it unless the Enemy retires, it serves for an Ornament, and to give more Vigour to the Thrust: But if as soon as the Enemy has parryed he Risposts, you must only redouble with the Hand, the Body low without stirring the Feet, and join.
In the reprise the folk-song appears in the tonic minor, taken most unconventionally in the bass under elaborate arpeggiations in the right hand. The coda, as in the other sonata, is simply a strong passage of climax. Arthur's supernatural nature doubtless suggested the second movement, with its elfin airs, its flibbertigibbet virtuosity, and its magic of color.
Let these directions be carried out sensibly, patiently, perseveringly, and three times out of four, or oftener still, the mother's ear will before many days be greeted by the loud cry, with its cri and reprise of which I have already spoken, and which assures her that her little one will live.
As Whiting phrases it, he has "telescoped" the sonata form. The slow introduction prepares for the first and second subjects, which appear, as usual, except that they are somewhat developed as they appear. Now, in place of the regular development, the pastoral movement is brought forward. This is followed by the reprise of the first and second subjects. Then the finale appears.
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