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Rather a whole opera of Der Freischutz daemoniac element and all to judge by those red lips, fierce eyes, wild, hungry voices; and such as should make Reinecke, had he strong aesthetic sympathies, well content to be hunted from his cradle to his grave, that such sweet sounds might by him enrich the air.
If he were six feet high, instead of twenty-three inches, with what animal on earth could you compare him? Is it not a joy to see such a thing alive? It is to me, at least. I should like to have one in my study all day long, as I would have a statue or a picture; and when Mr. But I am a minute philosopher. I cap them on to the spot at which Reinecke disappeared.
How could Reinecke Fuchs have gained immortality, in the Middle Ages and since, save by the truth of its too solid and humiliating theorem that the actions of the world of men were, on the whole, guided by passions but too exactly like those of the lower animals? I have said, and say again, with good old Vaughan: Unless above himself he can Exalt himself, how mean a thing is man.
Reinecke, who was both painter and poet, joined this society, together with Hubner and Bendemann, and had the bad fortune to write the new text for an opera for Hiller, the fate of which I will describe later on. Robert Schumann, the musician, who was also in Dresden at this time, and was busy working out on opera, which eventually developed into Genovefa, made advances to Hiller and myself.
Aside from the foreign-born composers there, one should mention the work of Richard Kieserling, Jr., and Emil Wiegand. The former went to Europe in 1891 and studied at the Leipzig Conservatory, under Reinecke, Homeyer, Rust, Schreck and Jadassohn. He also studied conducting under Sitt. At his graduation, he conducted a performance of his own composition, "Jeanne d'Arc."
He studied diligently the ancient poetic lore of Germany, from Frankish Legends of Saint George, and Saxon Rhyme-Chronicles, down through Nibelungen Lieds, and Helden-Buchs, and Songs of the Minnesingers and Mastersingers, and Ships of Fools, and Reinecke Foxes, and Death-Dancesand Lamentations of Damned Souls, into the bright, sunny land of harvests, where, amid the golden grain and the blue corn-flowers, walk the modern bards, and sing.
Another composer whose studies in technic have left him only a little inclination for creation is Albert Ross Parsons, who was born at Sandusky, O., September 16, 1847. He studied in Buffalo, and in New York under Ritter. Then he went to Germany, where he had a remarkably thorough schooling under Moscheles, Reinecke, Richter, Paul, Taussig, Kullak, and others.
Suddenly he halts at the great gate of Malepartus; examines it with his nose; goes on to a postern; examines that also, and then another, and another; while I perceive afar, projecting from every cave's mouth, the red and green end of a new fir-faggot. Ah, Reinecke! fallen is thy conceit, and fallen thy tail therewith.
Heroes of old were glad to die, if but some 'vates sacer' would sing their fame in worthy strains: and shalt not thou too be glad, Reinecke? Content thyself with thy fate. Music soothes care; let it soothe thine, as thou runnest for thy life; thou shalt have enough of it in the next hour. 'Like that old fabled swan, in music die.
Dora Schirmacher, born in 1862, was less precocious, but won the Mendelssohn prize at Leipsic, where she studied under Wenzel and Reinecke. Her works consist of a suite, a valse-caprice, a sonata, a serenade, a set of tone pictures, and so on. Amina Beatrice Goodwin was another child prodigy, first playing in public at the age of six.
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