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Later the castle was restored and furnished with bastions by Paul III and his son, Pierluigi Farnese, the first Duke of Castro and Nepi. In 1500 this castle was as strong as that of Civitacastellana, which Alexander VI rebuilt. Unfortunately, it is now in ruins. The remains of the castle-palace and all the outer walls are covered with thick ivy. Time has spared nothing but the two great towers.
Associated with him in his labors for a good cause, was no less a composer than that great reformer of Catholic church music, Giovanni Pierluigi Sante da Palestrina, whose harmonies were declared by a music-loving Pope to be those of the celestial Jerusalem. The laudable enterprise proved successful.
In 1642 two more gates were opened by Prince Taddeo Barberini, the Porta del Sole, and the Porta delle Monache, the former at the southeast corner of the town, the latter in the east wall at the point where the new wall round the monastery della Madonna degl'Angeli struck the old city wall, just above the present street where it turns from the Via di Porta del Sole into the Corso Pierluigi.
It was towards dusk of a summer evening when the legate, in a litter slung in line between two mules, entered Coimbra. He was attended by two nephews, Giannino and Pierluigi da Corrado, both patricians of Rome, and a little knot of servants. Empanoplied in his sacred office, the cardinal had no need of the protection of men-at-arms upon a journey through god-fearing lands.
Borgia mio fratre passato de questa vita in Urbino. Forli, January 16, 1500. Archives of Modena. Silva Cronicarum Bernardini Zambotti. Ms. in the library of Ferrara. La bona memoria del Cardinale Borgia mio fratre. Rome, July 30, 1500. Gonzaga archives. Cittadella's opinion that Giovanni Borgia, junior, was a son of Pierluigi, Alexander's brother, is also incorrect.
This union, however, had been arranged when the betrothed were minors, by their parents, Ludovico Orsini, lord of Bassanello, and Pierluigi Farnese, both of whom had died before 1489. In those days little children were often legally betrothed, and the marriage was consummated later, as was the custom in ancient Rome, where frequently boys and girls only thirteen years of age were affianced.
He strode on, and into the room where the Cardinal with his noble nephews sat at dinner. At sight of him, fearing violence, Giannino and Pierluigi came instantly to their feet, their hands upon their daggers. But Cardinal da Corrado sat unmoved. He looked up, a smile of ineffable gentleness upon his ascetic face. "I had hoped that you would come after me, my son," he said.
Even before coming here I felt attracted by the strange figure of a woman, which appeared from out of the dry pages of Gualterio's and Padre de Sanctis' histories of this place. This woman is Medea, daughter of Galeazzo IV. Malatesta, Lord of Carpi, wife first of Pierluigi Orsini, Duke of Stimigliano, and subsequently of Guidalfonso II., Duke of Urbania, predecessor of the great Duke Robert II.
At that time there lived in Palestrina a peasant pair, Sante Pierluigi and his wife Maria, who seem to have been an honest couple, and not grindingly poor, since the will of Sante's mother has lately been found, in which she bequeathed a house in Palestrina to her two sons. Besides this she left behind a fine store of bed linen, mattresses and cooking utensils.
The most shocking crime of all the unnatural attempt on his own son Roberto, who frustrated it with his drawn dagger may have been the result not merely of moral corruption, but perhaps of some magical or astrological superstition. The same conjecture has been made to account for the rape of the Bishop of Fano by Pierluigi Farnese of Parma, son of Paul III.
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