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Updated: June 27, 2025
Nothing here helped anything else, since the stamped greyness didn't even in itself make it impossible his eyes should follow such sentences as: "The loveliness of the face, which was that of the glorious period in which Pheidias reigned supreme, and which owed its most exquisite note to that shell-like curl of the upper lip which always somehow recalls for us the smile with which windblown Astarte must have risen from the salt sea to which she owed her birth and her terrible moods; or it was too much for all the passionate woman in her, and she let herself go, over the flowering land that had been, but was no longer their love, with an effect of blighting desolation that might have proceeded from one of the more physical, though not more awful, convulsions of nature."
Girt by mountain and sea, by haunted fountain and sacred grove, shaped and adorned by the master hands of Pheidias and Polygnotus and filled with the breath of passion and song by Euripides and Plato, Athens, famed alike for the legended deeds of heroes and gods and for the feats of her human sons in council, art, and war, is a name, to those who have felt her spell, more familiar and more dear than any of the few that mark with gold the sombre scroll of history.
His suggestion to Paula of her belonging to a worthy strain of engineers had been based on his content with his own intellectual line of descent through Pheidias, Ictinus and Callicrates, Chersiphron, Vitruvius, Wilars of Cambray, William of Wykeham, and the rest of that long and illustrious roll; but Miss Power's marked preference for an animal pedigree led him to muse on what he could show for himself in that kind.
The result is a product of picturesque and plastic art as true to the Michelangelesque spirit as the Temple of the Wingless Victory to that of Pheidias.
The golden statue of the goddess was made by Pheidias, and his name appears upon the basement in the inscription. Almost everything was in his hands, and he gave his orders to all the workmen as we have said before because of his friendship with Perikles.
In short, the form of the god has the superb perfection, as the face has the dignity, which was attributed to Pheidias. Nevertheless, the Hermes illustrates sensual loveliness of the later school. The freedom with which the god is conceived belongs to an age when the chains of religious belief sat lightly upon the artist.
A little library of forty-two books which a patricist saw, but not being initiate could not read was attributed to him. The books contained the entire hieratic belief. Fragments that are held to have survived in an extant Greek novel are obviously Egyptian, but as obviously Alexandrine and neo-platonic. In the editio princeps Pheidias is mentioned.
The modern artist can feel that, though he cannot, perhaps, make as good a statue as Pheidias, he could here and there have taught Pheidias something: and at any rate he can try his art on subjects far more varied and more stimulating to his imagination. In philosophy the mixture is more subtle and more profound.
In the procession of the fine arts, sculpture always follows close upon the steps of architecture, and at first appears in some sense as her handmaid. Mediaeval Italy found her Pheidias in a great man of Pisan origin, born during the first decade of the thirteenth century.
Agoracritos left behind him works at Athens which in their perfection could scarcely be distinguished from the works of Pheidias himself, none of which have come down to us. But from the time of the Peloponnesian war, the seeds of decay were in the art of Hellas, and they ripened fast.
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