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Updated: May 7, 2025


A little time after this, for the Church of S. Gallo in Florence, he painted a panel-picture of S. Jerome in Penitence, which is now in S. Jacopo tra Fossi, where the aforesaid friars live, near the Canto degli Alberti.

The laying in of the panels being finished, work was begun on the frieze, in which Cristofano had a companion, although he was to have executed it all by himself; for there came from Camaldoli to Bologna the cousin of Vasari, Stefano Veltroni of Monte Sansovino, who had laid in the panel-picture of the Deposition, and the two executed that work together, and that so well, that it proved a marvel.

These and other works of Giuliano's having been seen by Mariotto Albertinelli, he recognized how careful Giuliano was in following the designs that were put before him, without departing from them by a hair's breadth, and, since he was preparing in those days to abandon art, he gave him to finish a panel-picture that Fra Bartolommeo di San Marco, his friend and companion, had formerly left only designed and shaded with water-colours on the gesso of the panel, as was his custom.

When Piero Soderini was Gonfalonier, Baccio took part, with Cronaca and others, as has been related above, in the deliberations that were held with regard to the great Hall of the Palace; and with his own hand he executed in wood the ornament for the large panel-picture which was begun by Fra Bartolommeo, after the design by Filippino.

Say, the wife of a boarding house is a wife, not a maid, and you've been such a four-flusher as to make her wipe your feet." "When did I make her wipe my feet?" I asked. "I don't know whether you did or did not, but anyway they're pretty sore about you. He said he can make ten or fifteen yen easily if he sell a roll of panel-picture." "Damn the chap! Why did he take me for a boarder then!"

But to return to Francesco: he painted for the same church the panel-picture which is in the Chapel of the Counts Giusti, in which he depicted the Madonna, with S. Augustine and S. Martin in pontifical robes. And in the cloister he executed a Deposition from the Cross, with the Maries and other Saints, works in fresco which are much extolled in Verona. In the Church of the Vittoria he painted the Chapel of the Fumanelli, which is below the wall that supports the choir which was built by the Chevalier Messer Niccolò de' Medici; and a Madonna in fresco in the cloister. And afterwards he painted a portrait from life of Messer Antonio Fumanelli, a physician very famous for the works written by him in connection with his profession. He painted in fresco, also, on a house which is seen on the left hand as one crosses the Ponte delle Navi on the way to S. Paolo, a Madonna with many Saints, which is held to be a very beautiful work, both in design and in colouring; and on the house of the Sparvieri, in the Br

In the chapel of the Noviciate of S. Marco there is a panel-picture of the Purification, very lovely, which he executed with good draughtsmanship and high finish. At S. Maria Maddalena, a seat of the Friars of his Order, without Florence, while staying there for his own pleasure, he made a Christ and a Magdalene; and he also painted certain things in fresco in that convent.

At that time Messer Baldassarre Turini da Pescia was intending to place a panel-picture by the hand of Raffaello da Urbino in the principal church of Pescia, of which he was Provost, and to erect an ornament of stone, or rather, an entire chapel, around it, and also a tomb; and Giuliano executed all this after his own designs and models, and also restored for the same patron his house at Pescia, making in it many beautiful and useful improvements.

He also painted many works in the valley of the Adige, above Verona, and a panel-picture of S. Nicholas, with many animals, at Sacco, opposite to Rovereto, with many others; after which he finally died at Rovereto, where he had gone to live.

In the same city, also, he was commissioned by the Nuns of S. Anthony of Padua to paint a panel-picture of Our Lady, with Jesus Christ fully dressed, as it pleased those simple and venerable sisters, in her lap, and on either side of the Madonna S. Peter, S. Paul, S. Cecilia, and S. Catherine; to which two holy virgins he gave the sweetest and most lovely expressions of countenance and the most beautifully varied head-dresses that are anywhere to be seen, which was a rare thing in those times.

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