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There is a large panel-picture of the Assumption of Our Lady, by his hand, in the Certosa of Pavia, but it was left unfinished, on account of death overtaking him; which panel shows how excellent he was, and how great a lover of the labours of art.
For the Abbot de' Panichi he executed the panel-picture of the high-altar in the Church of S. Salvi, without the Porta alla Croce, painting therein Our Lady, S. Giovanni Gualberto, S. Salvi, S. Bernardo, a Cardinal of the Uberti family, and S. Benedetto the Abbot, and, at the sides, S. Batista and S. Fedele in armour, in two niches on either hand of the picture, which had a rich frame; and in the predella are several scenes, with little figures, from the Life of S. Giovanni Gualberto.
For the tramezzo of the Church of S. Francesco, at Fiesole, he painted a little panel-picture of the Conception, which is a passing good little work, the figures being of no great size.
But on this occasion, being pressed by Bernardo del Bianco, at length he began the panel-picture of S. Bernard, in which the Saint is writing, and gazing with such deep contemplation at the Madonna, with the Child in her arms, being borne by many angels and children, all coloured with great delicacy, that there is clearly perceived in him a certain celestial quality, I know not what, which seems, to him who studies it with attention, to shine out over that work, into which Baccio put much diligence and love; not to mention an arch executed in fresco, which is above it.
And because he took much pleasure in matters of architecture, he made for the citizens of that country a number of designs of buildings and adornments for their city, such as the two doors of S. Rocco in stone, and the ornament of grey-stone that was added to the panel-picture of Maestro Luca in S. Girolamo; and he designed an ornament in the Abbey of Cipriano d' Anghiari, and another for the Company of the Trinit
For S. Paolo, in Verona, Francesco painted a panel-picture in gouache, which is very beautiful, and another, also most beautiful, for the Chapel of the Bandi in S. Bernardino.
For which reason Antonio most certainly deserved all praise and honour during his lifetime, and the greatest glory from the lips and pens of men after his death. In Modena, also, he painted a panel-picture of Our Lady, which is held in esteem by all painters, as the best picture in that city.
He also conceived the wish to paint in oils, and for the Chapel of the Conception in S. Francesco at Arezzo he executed a panel-picture wherein are some vestments very well painted, and many heads most lifelike, and so beautiful that he was honoured thereby ever afterwards, seeing that this was the first work that he had ever done in oils.
For the Chapel of S. Bernardo, likewise, in the Church of S. Fermo, a convent of Friars of S. Francis, he painted a panel-picture of the first-named Saint, with some scenes from his life in the predella.
However, repenting of this error, like a man of judgment, he resolved afterwards to execute by himself, without assistance from others, the panel-picture of the Transfiguration of Christ that is in S. Pietro a Montorio, wherein are all those qualities which, as has already been described, are looked for and required in a good picture.
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