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It would not be amiss, if you employed three or four days in learning the five orders of architecture, with their general proportions; and you may know all that you need know of them in that time. Palladio's own book of architecture is the best you can make use of for that purpose, skipping over the mechanical part of it, such as the materials, the cement, etc. Mr.
To get to the beautiful island of S. Giorgio it is almost necessary to take a gondola; for although there is the Giudecca steamer every half hour, it is an erratic boat, and you may be left stranded too long waiting to return. The island is military, save for the church, and that is chiefly a show-place to-day. It is large and light, but it has no charm, for that was not Palladio's gift.
Two years after Palladio's death her mother had married Count Fortiguerra, who had begun life in the army, then passed to diplomacy, had risen rapidly to the post of ambassador, and had died suddenly at Madrid when barely fifty years old, and when Cecilia was sixteen.
He thought only of one question, and asked only one of the future. Was Cecilia Palladio's friendship about to turn into anything that could be called love, or not? His intention warned him that if the change had come she herself was not conscious of it.
Giambattista Aleotti, a native of pageant-loving Ferrara, traced the stately curves and noble orders of the galleries, designed the columns that support the raftered roof, marked out the orchestra, arranged the stage, and breathed into the whole the spirit of Palladio's most heroic neo-Latin style.
The old woman who sat in the door did not thread the beads as the girl does in one of Whistler's Venetian etchings, but stabbed a basketful with a wire, each time gathering a few more. The great outstanding buildings of the Giudecca are Palladio's massive Redentore and S. Eufemia, and at the west end the modern Gothic polenta mill of Signor or Herr Stucky, beyond which is the lagoon once more.
Perhaps there is only one modern edifice Palladio's Palazzo della Ragione at Vicenza which approaches the dignity and loftiness of Roman architecture; and this it does because of its absolute freedom from ornament, the vastness of its design, and the durability of its material. The temple, called the Maison Carrée, at Nismes, is also very perfect, and comprehended at one glance.
As Americans we had a special interest in the arcade because it was typical of the best of Palladio's work and our own Thomas Jefferson, studying it, had reproduced it and Americanized it in some of the buildings of the University of Virginia, buildings that have had a distinct influence upon American architecture!
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