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Updated: June 23, 2025
Seen from without, it is of perfect Romanesque construction, excepting the upper row of rose windows, which are ogival in their traceries; inside, it contains a mural painting of an exceedingly primitive design, and a retablo in low reliefs enchased in ogival arches; it is of Italian workmanship.
Many more details could be given concerning the worthy cathedral of Orense, second only in richness of certain elements to that of Santiago. The additions, both in Romanesque and ogival styles, are better than in most other cathedrals in Galicia, though, as far as Renaissance is concerned, Galicia showed but little love for Italia's art.
A new edifice of decadent Gothic, mixed with Renaissance details, and dating from the fifteenth century, stands to-day; it contains a magnificent series of choir stalls of excellent workmanship, and similar to those of Burgos. The cloister, in spite of the Arab-looking geometrical tracery of the ogival arches, is both light and elegant.
In 1435 Santa Maria la Redonda was raised to a suffragan church of Santo Domingo de la Calzada; about this date the old building must have been almost entirely torn down, as the ogival arches of the nave are of the fifteenth century; so also are the lower windows which, on the west, flank the southern door.
Devoid of all ornamentation, and consequently naked, three doors or portals, surmounted by a peculiar egg-shaped ogival arch, open into the nave and aisles. Originally they were richly decorated by means of sculptural reliefs and statuary, but in the plateresque period of the sixteenth century they were demolished.
These chapels are built in all possible styles and in all degrees of splendour and magnificence, according to the generosity of the donor. Here they bulge out, deforming the regular plan of the church, or else they take up an important part of the interior of the building. There they are Renaissance jewels in a Gothic temple, or else ogival marvels in a Romanesque building.
The northern façade, preceded by an ogival porch so common in Galicia, contains a portal of greater beauty than the Puerta de la Plateria in Santiago, and stands forth in greater prominence than the other named example of twelfth-century art, by not being lost among or depressed by flanking bodies of greater height and mass.
Both are richly decorated; unluckily, in both portals, the rounded arches have been crowned in more recent times by an ogival arch, which certainly mars the pureness of the style, though not the harmony of the ensemble. To the left of these doors, a niche has been carved into the wall to contain a full-length statue of the Virgin; this is an unusual arrangement in Spanish churches.
Then she thought that she had been mistaken, and was about to pick up her sabots, when again the great gust swept through her; but, this time, the disturbance in her ears reached her eyes, she no longer saw the trees, but was dazzled by a whiteness, a kind of bright light which seemed to her to settle itself against the rock, in a narrow, lofty slit above the Grotto, not unlike an ogival window of a cathedral.
The nave, exceedingly high, is decorated by a blind triforium of ogival arches; the aisles are sombre and lower than the nave. On the other hand, the transept, broad and simple, is similar to the nave and as long as the width of the church, including the lateral chapels. The croisée is surmounted by a cimborio, insignificant in comparison to those of Salamanca, Zamora, and Toro.
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