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Updated: September 23, 2025
The other portal on the south is far simpler, and the arch which surmounts it is of a purer Gothic style; not so the geometrically decorated panels and the almost Arabian frieze which runs above the arches. This frieze is Moorish or Mudejar-Byzantine, and though really it does not belong in an ogival building, it harmonizes strangely with it.
Then she thought that she had been mistaken, and was about to pick up her sabots, when again the great gust swept through her; but, this time, the disturbance in her ears reached her eyes, she no longer saw the trees, but was dazzled by a whiteness, a kind of bright light which seemed to her to settle itself against the rock, in a narrow, lofty slit above the Grotto, not unlike an ogival window of a cathedral.
The southern portal is the larger, but the most simple; the arch which crowns it shows a decided ogival tendency, a circumstance which need not necessarily be attributed to Gothic influence, as in many churches prior to the introduction of the ogival arch the pointed top was known, and in isolated cases it was made use of, though purely by accident, and not as a constructive element.
The grossness of the structural work, the timid use of the ogival arch, the primitive rose window, and the general heaviness of the structure, show it to belong to the decadent period of the Romanesque style, when the artists were attempting something new and forgetting the lessons of the past.
The apse is well developed, and the croisée surmounted by a cupola; the tower which flanks the western front is massive; it is decorated with blind arches and ogival arabesques. The ground plan of the building is Latin Cruciform; the aisles are but slightly lower than the nave and join in the apse behind the high altar in an ambulatory walk.
To conclude: excepting the western front and the central lobe of the apse, the tower and the ogival arch surmounting the northern and southern portals, the cathedral of Ciudad Rodrigo is one of the most perfectly preserved Romanesque buildings to the south of Zamora and Toro.
As in Mondoñedo and Lugo, the former is surmounted by an ogival vault, and the aisles, lower in height, are somewhat depressed by the use of Romanesque plein-cintré vaultings. The form of the building is that of a Roman cross with rather short arms; the apse consists of but one chapel, the lady-chapel.
The oldest part of the building is consequently the western front, classic in its outline, but showing among its ogival details both the symmetry and triangular pediment of Renaissance art.
Its façade was nearly five hundred feet long, of most severe and simple lines, and presented a double row of ogival windows, surmounted by niches containing thirty-one finely executed statues of counts and countesses of Flanders.
Vastly superior in all respects to the lower body are the upper stories, of which the first is begun by a pinnacled balustrade running from tower to tower; in the centre, between the two towers, there is an immense rosace of a magnificent design and embellished by means of an ogival arch in delicate relief; the windows of the tower, as well as in the superior bodies, are pure ogival.
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