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At break of day, in the church of Santa Maria Nuova, Francesca, Vannozza, Rita de Celli, Agnese Selli, and six more noble Roman ladies, confessed, received the pious instructions of Don Antonio, and communicated at a Mass which Don Ippolito said before the miraculous image of the Blessed Virgin.
While all these events had been taking place, Baccio had worked as often as his perturbed spirit would allow, at a great fresco of the Last Judgment, in a chapel of the cemetery of S. Maria Nuova. A certain Gerozzi, di Monna Venna Dini, gave him the commission, and as far as he had gone, the painter had given entire satisfaction.
Little by little does the love poetry of the Italians reject such ornaments; and cloth itself in that pale garment, pale and stately in heavy folds like a nun's or friar's weeds, but pure and radiant and solemn as the garment of some painted angel, which we have all learned to know from the "Vita Nuova."
The first painter who deliberately rather than instinctively based his compositions on geometrical principles seems to have been Fra Bartolommeo, in his Last Judgment, in the church of St. Maria Nuova, in Florence. Symonds says of this picture, "Simple figures the pyramid and triangle, upright, inverted, and interwoven like the rhymes of a sonnet form the basis of the composition.
Taking down his "Vita Nuova," he read: "At length, by the constant sight of this lady, mine eyes began to be gladdened overmuch with her company; through which thing many times I had much unrest, and rebuked myself as a base person: also, many times I cursed the unsteadfastness of mine eyes, and said to them inwardly: 'Was not your grievous condition of weeping wont one while to make others weep?
"Well, perhaps it is a fairy tale, but it is in the future. I have an idea." "Oh, is that all? But it is the first time. I understand." Listen. Have you read Dante?" "I know the Vita Nuova by heart, and some of the Commedia. But how the diavolo does Dante enter into this question?" "And Silvio Pellico, and a little literature?" continued Ercole, not heeding the comment. "Yes, after a fashion.
Supper over, Cosimo, who knew Fargannaccio of old, made a sign to Malavolti that he should leave them together. When they were alone, Cosimo gave him an order to the master of the Ospedale di S. Maria Nuova for 1100 ducats, a thousand for the Gonfaloniere and the odd hundred for himself. On receipt of this sum Bernardo became more moderate, and Cosimo was exiled to Padua.
Peter of Savoy led an English contingent to fight for Frederick against the Milanese, and Matthew Paris, the greatest of the English chroniclers, narrates the campaign of Corte Nuova with a detail exceeding that which he allows to the military enterprises of his own king.
The other important poem is the Ensenhamen, a didactic work of instruction upon the manner and conduct proper to a courtier and a lover. Here, and also in some of his lyric poems, Sordello represents the transition to a new idea of love which was more fully developed by the school of Guido Guinicelli and found its highest expression in Dante's lyrics and Vita Nuova.
Questa fu la prodigiosa origine della Chiesa di San Pietro, che poscia, o rinovata, o ristaurata, da Orso Participazio IV Vescovo Olivolense, divenne la Cattedrale della Nuova citta." Peter, I think, to tell us. The title of Bishop of Castello was first taken in 1091: St. Mark's was not made the cathedral church till 1807.
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