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Updated: June 10, 2025
In the course of conversation we struck on subjects of an amorous character and I soon discovered that my friend was no novice in the field of Venus. That same evening we went together to Niblo's Garden and took our places in the parquet. Just before the curtain rose I stood up from my seat to gaze around the house.
He was a member of various stock companies notably that of W.C. Forbes, of the Providence museum, and that of the once-popular John Nickinson, of Toronto and Quebec the famous Havresack of his period. Later he joined the company at Niblo's theatre, New York, under the management of Chippendale and John Sefton, appearing there on May 8, 1850.
We went to the Opera, saw the ballet which Fannie Ellsler had previously inaugurated. The Independent was denouncing the theater as an unmitigated evil; the ballet was a shocking exhibition of legs. Still they had come, and New York had them. We dined at Niblo's, at Castle Garden. We drove about the city.
Compare her with the beautiful women of your own world, and this false enchantment will vanish." I looked over the newspapers by chance. There I beheld the advertisement of a celebrated danseuse who appeared nightly at Niblo's. The Signorina Caradolce had the reputation of being the most beautiful as well as the most graceful woman in the world. I instantly dressed and went to the theatre.
Just before the close of the performances at Niblo's Garden, where the Jarrett combination was then playing, one evening in the latter part of June, 1862, two young men came out from the doorway of the theatre and took their course up Broadway toward the Houston Street corner.
Browne to partake of the oyster supper I had provided for my friends from W . "Will you join our party this evening, Mr. Browne?" "Oh, by all manner of means," said he, rubbing his hands together in a sort of ecstasy of anticipation; "I knew that you would do the thing handsome at last. I have not tasted an i'ster since I sang at Niblo's in New York.
But even this enthusiastic praise was pale in comparison with the eulogiums of some of the New York journals, after the first concert of Gottschalk at Niblo's Garden Theatre. One newspaper, which arrogated special strength and good judgment in its critical departments, intimated that after such a revelation it was useless any longer to speak of Beethoven!
I therefore rite for you, which insures your respectability at once. It gives you a moral tone at the word go. I found myself the other night at Niblo's Garding, which is now, by the way, Wheatley's Garding. I walked down the isle in my usual dignified stile, politely tellin the people as I parsed along to keep their seats. "Don't git up for me," I sed. The ordinance was large.
Four daughters and a son now shared the author's home life, and in order to place his little girls in a school and be near his publishers, Cooper rented a modest brick house on Broadway, across the street from Niblo's Garden, near No. 585, Astor's home, which was a grand resort of Halleck and Irving, who wrote there a part of his "Life of Washington."
The Morgans had given her pieces from Paris and Venice and Holland, and even Hong Kong. Some were a hundred and more years old, and were gowns of quite famous people. This fall the American Institute Fair was held at Niblo's Garden. There were many curious things. Both telegraphs had been put up, House's with its letter printing, Morse's with its cabalistic signs.
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