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Updated: June 12, 2025
Precious objects stood grouped on little Empire tables or ranged in Empire cabinets. Flat, firm cushions of rose-coloured satin stood against the backs of Empire chairs and sofas. On the walls were French engravings and a delicate portrait of Betty done at the time of her marriage by Boutet de Monvel. The room, like Betty herself, combined elegance and cordiality.
All his are become the prey of the little theatres and the aliment of the provincial departments. This circumstance alone would suffice to prove the mediocrity of the drame. MONVEL, of whom I shall soon have occasion to speak, would well deserve the same title. THOMAS CORNEILLE, who was surnamed the Great, must not, however be forgotten. Paris, January 20, 1802.
MONVEL trembled; and it is probable that, had not that sanguinary tyrant been overthrown, the atheistical preacher would have descended from the pulpit only to ascend the scaffold. ST. PRIX. He has no fixed employment. Sometimes he plays the parts of kings, sometimes those of lovers; but excels in none. He would be a very handsome man, were it possible to be so with a face void of expression.
Raoul could, and did do everything for her vanity as an actress, for the peace of her self-love, and for her future on the stage. Without the intervention of a successful author, there is no successful actress; Champmesle was due to Racine, like Mars to Monvel and Andrieux. Florine could do nothing in return for Raoul, though she would gladly have been useful and necessary to him.
Bok had been much impressed with some decorative work by De Monvel which had just been exhibited in New York. By letter he laid the proposition in detail before the artist, asked for a subject, and stipulated that if the details could be arranged the artist should visit the building and see the place and surroundings for himself.
Two valuable neighbors to whom I have read this chapter suggest that the whole Boutet de Monvel illustrated child's book about our heroine could be used on this grand scale, for a background. The Inness room at the Chicago Art Institute is another school for the meditative producer, if he would evolve his tribute to France on American soil.
Louis Rhead is another of the same school, whose designs are deserving of study. Mr. Some of those decorators whose work shows a Japanese influence have a most exquisite method. Of these, that remarkable draughtsman, M. Boutet de Monvel, easily takes the first place.
The date for M. de Monvel's visit to Philadelphia was fixed, a final letter from the artist reached Bok on a Monday morning, in which a few remaining details were satisfactorily cleared up, and a cable was sent assuring De Monvel of the entire satisfaction of the company with his final sketches and arrangements.
Pyle was then in Italy; Bok telephoned the painter's home in Wilmington, Delaware, to get his address, only to be told that an hour earlier word had been received by the family that Pyle had been fatally stricken the day before. Once more Bok went over the field of mural art and decided this time that he would go far afield, and present his idea to Boutet de Monvel, the French decorative artist.
She tripped ahead in a solid but elegant pair of walking-shoes and was drawing on a tan glove with mannish stitchings over the back. The Boutet de Monvel girls, the contemporaries of Jeanne d'Arc, were immediately obliterated; Clytie became the most conspicuous figure in the whole big place. She advanced tapping her heels, smoothing her gloves, and looking every shirt-front full in the face.
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