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Updated: May 13, 2025


"Monsieur du Miroir" is chiefly interesting as an example of Hawthorne's faculty for elaborating the most simple subject until every possible phase of it has been exhausted. It may also throw some light scientifically on the origin of consciousness.

And, at this moment, when the subject of which I write has grown strong within me and surrounded itself with those solemn and awful associations which might have seemed most alien to it, I could fancy that Monsieur du Miroir himself is a wanderer from the spiritual world, with nothing human except his delusive garment of visibility.

Some times he refreshes himself in the trough of a town-pump, without caring what the people think about him. Often, while carefully picking my way along the street after a heavy shower, I have been scandalized to see Monsieur du Miroir, in full dress, paddling from one mud-puddle to another, and plunging into the filthy depths of each.

Speechless as he was, Monsieur du Miroir had then a most agreeable way of calling me a handsome fellow; and I, of course, returned the compliment; so that, the more we kept each other's company, the greater coxcombs we mutually grew. But neither of us need apprehend any such misfortune now.

After vainly endeavoring, by the strenuous exertion of my own wits, to gain a satisfactory insight into the character of Monsieur du Miroir, I had recourse to certain wise men, and also to books of abstruse philosophy, seeking who it was that haunted me, and why.

"Jeanne a ton miroir tu t'habilles! Mon coeur un beau jour s'envola. Je crois que c'est Jeanne qui l'a. Ou vont les belles filles, Lon la. "Le soir, en sortant des quadrilles, Je montre aux etoiles Stella, Et je leur dis: 'Regardez-la. Ou vont les belles filles, Lon la." Gavroche, as he sang, was lavish of his pantomime. Gesture is the strong point of the refrain.

His Wife's Deceased Sister, Frank R. Stockton. Legend of Sleepy Hollow, Washington Irving. Monsieur du Miroir, Nathaniel Hawthorne. At the End of the Passage, Rudyard Kipling. The Vacant Lot, Mary Wilkins Freeman. The Princess Pourquoi, Margaret Sherwood. What Was It? A Mystery, Fitz-James O'Brien. Wandering Willie's Tale, Walter Scott.

Strange to say, my incommodities belong equally to my companion, though the burden is nowise alleviated by his participation. The other morning, after a night of torment from the toothache, I met Monsieur du Miroir with such a swollen anguish in his cheek that my own pangs were redoubled, as were also his, if I might judge by a fresh contortion of his visage.

"I dined with the Val-Noble; she told me that Theodore Gaillard is really going to start his little Royalist Revue, so as to reply to your witticisms and the jokes in the Miroir. To hear them talk, M. Villele's party will be in office before the year is out.

I heard long lectures and read huge volumes with little profit beyond the knowledge that many former instances are recorded, in successive ages, of similar connections between ordinary mortals and beings possessing the attributes of Monsieur du Miroir. Some now alive, perhaps, besides myself, have such attendants.

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