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Updated: June 10, 2025
Thus came the Gobelins to reproduce hangings that had not originated in their ateliers. All this traces the change that came from the clipping of Lebrun's wings of genius. Identification marks they are, when old tapestries come our way. Pierre Mignard succeeded Lebrun as director of the Gobelins after the death of the greatest genius of decoration in modern times.
There were many marriages this winter, and amongst them one very strange a marriage of love, between a brother of Feuquiere's, who had never done much, and the daughter of the celebrated Mignard, first painter of his time.
Their luxurious style of life was admired by the vulgar and derided by the envious. The offices of the Farm occupied several historic houses in Paris. In the chief of these the French Academy had once held its sittings under the presidency of Seguier, and the walls and ceilings shone with pictures from the brushes of Lebrun and Mignard.
Mignard distressed his father the surgeon, by sketching the expressive faces of his patients instead of attending to their diseases; and our own Opie, when a boy, and working with his father at his business as a carpenter, used frequently to excite his anger by drawing with red chalk on the deal boards he had carefully planed for his trade.
The general effect of the interior is fine, but the paintings in different chapels, on either side, are highly interesting; some of them are extremely good, of the schools of Lesueur, Moise Valentin, and Mignard, the ceiling of the chapel of St. Charles is painted by Lebrun; there is also a monument of himself and his mother.
The other was Mignard so illustrious by his pencil: he had an only daughter perfectly beautiful: she is repeated in several of those magnificent historical pictures which adorn the grand gallery of Versailles and its two salons, and which have had no slight share in irritating all Europe against the King, and in leaguing it still more against his person than his realm.
Not having been taught the handling of his pencil, he worked with difficulty; but MIGNARD succeeded in giving him a freer command and a more skilful touch; while DU FRESNOY, who was the more literary man, enriched the invention of MIGNARD by reading to him an Ode of Anacreon or Horace, a passage from the Iliad or Odyssey, or the Æneid, or the Jerusalem Delivered, which offered subjects for the artist's invention, who would throw out five or six different sketches on the same subject; a habit which so highly improved the inventive powers of MIGNARD, that he could compose a fine picture with playful facility.
Two o'clock in the morning is an unreasonable time; and if my pupil must sit up till then, he must play in the daytime and draw in the evening." "What! Monsieur Raoul draws also!" cried Madame Denis, quite astonished at so much talent. "Draws like Mignard." "Oh! my dear abbe," said Madame Denis, "if you could but obtain one thing." "What?" asked the abbe.
Few salons in Paris have so imposing an air as the foyer of the dramatic artists of the Comedie Francaise, a rectangular room of fine proportions, whose walls are adorned with portraits of great actors, representing the principal illustrations of the plays that have been the glory of the house Mademoiselle Duclos, by Largilliere; Fleury, by Gerard; Moliere crowned, by Mignard; Baron, by De Troy, and many others.
Few salons in Paris have so imposing an air as the foyer of the dramatic artists of the Comedie Francaise, a rectangular room of fine proportions, whose walls are adorned with portraits of great actors, representing the principal illustrations of the plays that have been the glory of the house Mademoiselle Duclos, by Largilliere; Fleury, by Gerard; Moliere crowned, by Mignard; Baron, by De Troy, and many others.
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