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The charming picturesqueness of the two general views is sufficient excuse for presenting them, but they contain much more to the student of architecture who cares to look for it. The two detailed views give an excellent idea of the simple, straightforward methods of the builders. LXXVII to LXXX. This building was erected between the years 1530 and 1542.

Yet Aquila readeth there ἐπιτιμήσει; likewise the word which the Septuagint render ἀπώλεια, perdition, Prov. xiii. 6, and θυμὸς, wrath, Isa. li. 20, in other places they render it ἐπιτίμησις: Psal. lxxvi. 6, “At thy rebuke, O God of Jacob, both the chariot and horse are cast into a dead sleep;” lxxx. 16, “They perish at the rebuke of thy countenance.” These are real rebukes, that is, judgments and punishments.

For thus He speaks to Moses, Exodus iv.: "I will be in thy mouth;" and Ps. lxxx.: "Open thy mouth wide, proclaim glad tidings; say thou art hungry, I will satisfy thee, I will presently speak to thee comfortable things." So, also, in John xiv., Christ says: "I am the way, the truth, and the life." Whoever confides in this is born of God; so that this seed of our Lord is itself divine.

Something of this impression may have prevailed even in 1648, if, as is likely enough, Milton took the trouble of showing his translations to some who were interested in the question of the new Psalter, and wavering between Rous's and Barton's. On the faith of dates, however, there is another interest to us now in these careful translations by Milton of Psalms LXXX.-LXXXVIII. in April 1648.

Make the men to be brought into lxxx. rankes, five to a ranke, as a little afore we have said, leavyng the Veliti either at the hedde, or at the taile, so that thei stande out of this order: and it ought to be ordeined, that every Centurion have behinde his back twentie rankes, and to bee nexte behinde every Centurion, five rankes of Pikes, and the reste Targaettes.

His son Pierre succeeded to his business in 1533, and in turn left a son Pierre II, who carried on the great repute of his father. The tower of the Hospice of Notre Dame contained in 1914 a remarkable old bell of clear mellow tone bearing the inscription: "Peeter Van den Ghein heeft mi Ghegotten in't jaer M.D. LXXX VIII." On the lower rim were the words: "Campana Sancti spiritus Divi Rumlodi."

There is in this sentiment an element of exaggeration which leads to ridicule; study how to take advantage of this. He starts from this premise a series of conjectures. The husband should reason like the judge; there are only three people in society whom he can suspect when seeking the lover of his wife. LXXX. A lover is never in the wrong.