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Updated: May 22, 2025
In his biography of Signorelli, Vasari relates how, when he was himself a boy of eight, his illustrious cousin visited the house of the Vasari family at Arezzo; and hearing from little Giorgio's grammar-master that he spent his time in drawing figures, Luca turned to the child's father and said, "Antonio, since Giorgio takes after his family, you must by all means have him taught; for even though he should pay attention to literature as well, drawing cannot fail to be a source of utility, honour, and recreation to him, as it is to every man of worth."
The Good Understanding between the Regents Relaxed After Caesar had, at the conference of Luca in April 698, agreed to considerable concessions as regarded Pompeius, and the regents had thus placed themselves substantially on a level, their relation was not without the outward conditions of durability, so far as a division of the monarchical power in itself indivisible could be lasting at all.
Of a truth, this work is marvellous and most rare, seeing that Luca made the lights and shades in it so well, that it scarcely appears possible for this to be done by the action of fire.
And when, the next day, after he was free from his professorial work, he turned up the Via del Cocomero towards the convent of San Marco, his purpose was fully shaped. He was going to ascertain from Fra Luca precisely how much he conjectured of the truth, and on what grounds he conjectured it; and, further, how long he was to remain at San Marco.
And not only did his house remain closed and his family become extinct, but art was deprived of the true method of making glazed work, for the reason that, although there have been some after them who have practised that sort of sculpture, nevertheless they have all failed by a great measure to attain to the excellence of the elder Luca, Andrea, and the others of that family.
Get your hat, and leave it to me to put out the lamp." He hurriedly extinguished the light while he spoke. They went down the studio side by side toward the door. The moonlight streamed through the window full on the place where the priest had been standing alone with the lamp in his hand. As they passed it, Luca felt his brother tremble, and saw him turn away his head.
How inspiriting to see with what muscular, masculine vigor this splendid Fleming rushed in and plucked up drowning Art by the locks when it was sinking in the trashy sea of such creatures as the Luca Giordanos and Pietro Cortonas and the like.
Thausing tells us his work shows certain resemblances to that of Luca Pacioli, a companion of Leonardo's, who may have been the "man who is willing to teach me the secrets of the art of perspective," and whom Duerer in 1506 travelled from Venice to Bologna to see; it is even possible that he saw Leonardo himself in the latter town.
He had as a follower a Suor Plautilla Nelli, born 1523, daughter of a noble Florentine, Piero di Luca Nelli. Her sister, Suor Petronilla, in the same convent, was a writer, and her life of Savonarola is still extant. Suor Plautilla taught herself to paint.
Luca's work here is sweet and mild rather than strong, and the panels derive their principal charm from the angels, who, in pairs, attend the saints. Above the door was placed, at the time of Lorenzo's escape, the beautiful cantoria, also by Luca, which is now in the museum of the cathedral, while above the door of the old sacristy was Donatello's cantoria.
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