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Updated: May 22, 2025


But, after all, this Maestro Bernardino di Luca was not the author of the exquisite carvings which people go to Perugia to look at at the present day.

But to return to Luca; the said work being finished and giving great satisfaction, he was entrusted with the bronze door of the said sacristy, which he divided into ten squares namely, five on either side, making the head of a man at every corner of each square, in the border; and he varied the heads one from another, making young men, old, and middle-aged, some bearded and some shaven, and, in short, each one beautiful of its kind in diverse fashions, so that the framework of that door was beautifully adorned.

And since he heard, as was true, that the blood used to flow from my nose at that age in such quantities that this left me sometimes half dead, with infinite lovingness he bound a jasper round my neck with his own hand; and this memory of Luca will stay for ever fixed in my mind.

Finally, as far as the literature treated of in this chapter is concerned, I have only one work to recommend, but it is an excellent one: I mean a poetical epistle in terzo rimo by the famous painter Bronzino, entitled "De' Romori: a Messer Luca Martini" It describes fully and amusingly the torture to which one is put by the many kinds of noises of a small Italian town.

So ends the story of the two bravi. We have reason to believe, from some contemporary documents which Cantù has brought to light, that Bibboni exaggerated his own part in the affair. Luca Martelli, writing to Varchi, says that it was Bebo who clove Lorenzo's skull with a cutlass.

After the first shock of the bereavement was over, Luca Lomi declared that it would be impossible for him to work in his studio again for some time to come at least after the death of the beloved daughter, with whom every corner of it was now so sadly and closely associated.

Here three herd-boys, Luca, Biagio, and Astorre, simple brown-skinned souls, watched their flocks all the summer night, sleeping, waking to play pranks with each other, whining endless doggerel, praying at every scare, and swearing at every reassurance. Simple puppyish folk though they were, Madonna of the Peach-Tree chose them to witness her epiphany.

Luca was a man of most excellent character, true and loving with his friends, sweet and amiable in his dealings with every man, and, above all, courteous to all who had need of him, and kindly in teaching his disciples. He lived splendidly, and he took delight in clothing himself well. And for these good qualities he was ever held in the highest veneration both in his own country and abroad.

He was preaching that alertness, that clean agility and vigilance, which is as necessary to gain pleasure as to gain holiness, as indispensable in a lover as in a monk. A critic has truly pointed out that Savonarola could not have been fundamentally anti-æsthetic, since he had such friends as Michael Angelo, Botticelli, and Luca della Robbia.

His sweetness and an underlying note of pathos give his work a peculiar and genuine character; but he is just not of the greatest. Not so great really as Luca Signorelli, for example, whom few visitors to the galleries rush at with gurgling cries of rapture as they rush at Andrea. When Andrea was twenty-six he married. The lady was the widow of a hatter.

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