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Updated: June 29, 2025
Charles Martin Loeffler was born in Mülhausen, Alsace, January 30, 1861. He studied the violin under Massart and Léonard in Paris, and under Joachim in Berlin. He studied composition with Guirand in Paris. Played violin in Pasdeloup's orchestra, then in the orchestras at Nice and Lugano. From 1883 till 1903 he was second leader in the Boston Symphony Orchestra.
Loeffler showed me what every good fiddler must learn to do: to leap from the end of the down-bow to the up-bow and vice versa and then hesitate the fraction of a moment, thus securing a smooth, clean-cut tone, without any vibration of the intermediate string. Loeffler never gave a pupil any rest until he came up to his requirements.
Such facts as these recorded by Loeffler are by no means a merely recent phenomenon; Aristotle was familiar with the devastations of the Voles, and wrote that "some small farmers, having one day observed that their corn was ready for harvest, when they went the following day to cut their corn, found it all eaten." Other ancient writers record similar facts. Centralblatt f. Bak. u.
And when finally he had vanquished the pretender, he had the corpse decked in all the regal insignia, had it set upon the throne in the great hall of the palace of the kings of Castile, and vassals and liegemen summoned to do the homage that had been denied the unhappy queen in her lifetime. The music of Charles Martin Loeffler is like the dead Inez de Castro on her throne.
No musician, not Debussy even, was better prepared for bringing the symbolist movement into music. Loeffler is affiliated in temper, if not exactly in achievement, with the brilliant band of belated romanticists who adopted as their device the sonnet of Verlaine's beginning. "Je suis l'empire
Loeffler, who has given an account of this invasion, "the Voles were only beginning to troop from the slopes of the hills and the fallow-lands to the cultivated fields. It was frequently observed that they followed regular paths during their inroads. Thus they advanced along the railway embankment. Their progress seemed to be rather slow.
Play it like that and I will be satisfied! I remained with Loeffler a year and a half, and when he went to Paris began to study with Felix Winternitz. "Felix Winternitz was a teacher who allowed his pupils to develop individuality.
is the Spanish rhapsody for 'cello; the string of steely beads, the setting of the "To Helen" of Poe. And the objects that float preserved in those little flasks are some of the popular ditties with which Loeffler is so fond of incrusting his work. Once they were "
One feels that they have been caressed and stroked and smoothed and regarded a thousand times; that Loeffler has dwelt upon them and touched them with a sort of narcissistic love.
"I took up the study of the violin at the age of seven, and when I was nine I went to Charles Martin Loeffler and really began to work seriously. Loeffler was a very strict teacher and very exacting, but he achieved results, for he had a most original way of making his points clear to the student. He started off with the Sevčik studies, laying great stress on the proper finger articulation.
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