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Perhaps I may try on this occasion to comprehend your ideas a little better, which in your book "Kunst und Revolution" I could not manage very well, and in that case I shall cook a French sauce to it. I shall send it you on the first opportunity. Of my articles on Chopin in the "France Musicale," which I am likely to spin out through fifteen numbers, you have probably not heard at Zurich.

There I was very graciously and flatteringly received by Frau Kunst, the wife of a German merchant, in a drawing-room whose windows commanded a view of the wide and busy street, and where I was very well served. I dined in common with the other boarders and visitors, and often invited Alexander Seroff, whom I had formerly known in Lucerne, to be my guest at table.

See "The Evolution of Modesty" in the first volume of these Studies, where this question of the relationship of nakedness to modesty is fully discussed. C.H. Stratz, Die Körperformen in Kunst und Leben der Japaner, Second edition, Ch. III; id., Frauenkleidung, Third edition, pp. 22, 30. I have not considered it in place here to emphasize the æsthetic influence of familiarity with nakedness.

In the evening of that day, the yeomanry and volunteers of Glenallan drank prosperity to their young master. In a month afterwards Lord Geraldin was married to Miss Wardour, the Antiquary making the lady a present of the wedding ring a massy circle of antique chasing, bearing the motto of Aldobrand Oldenbuck, Kunst macht gunst.

Unlike his warlike progenitor, Lorenzo von Speck, Dorothea's father, had early shown himself a passionate admirer of art; had quitted home to study architecture in Italy, and had become celebrated throughout Europe, and been appointed Oberhofarchitect and Kunst- und Bau-inspektor of the united principalities. They are but four miles wide, and his genius has consequently but little room to play.

But for him, Richard Wagner had never written DIE KUNST UND DIE REVOLUTION. Emma Goldman is a similar personality. She is a strong factor in the socio-political life of America. By virtue of her eloquence, energy, and brilliant mentality, she moulds the minds and hearts of thousands of her auditors.

Solches durch seine subtilne Kunst hat gethan, Und des Teufels Lohn empfangen davon. 1525." On neither of the two pictures does Mephistopheles appear, unless he is meant to be represented in the shape of the black dog. It is not, however, Goethe's poodle that meets us here, but a sleek little creature with a collar around his neck, looking very much like a wooden toy-dog.

The illustration of a carved frame in the rococo style of Chippendale, with a Chinaman in a canopy, represents an important school of wood carving which has been developed in Munich; and in the "Künst Gewerberein," or "Workman's Exhibition," in that city, the Bavarians have a very similar arrangement to that of the Arts and Crafts Exhibition Society of this country, of which mention has already been made.

With his assiduous industry, so assiduous that he was never satisfied, perhaps, unless he was at work, he edited an art journal, Kunst und Alterthum, from 1816 to 1828. In a thousand methods of publication he sent out poems, dramas, novels, and pamphlets. He had the satisfaction of knowing that Europe and America regarded him as the first author of his time.

Another ancient writer relates that "the guest of a private house was enjoined to praise the decorations of the ceilings and the beauty of the curtains suspended from between the columns." This occurs, according to Mr. Perkins, the American translator of Dr. Falke's German book "Kunst im Hause," in the "Wasps of Aristophanes," written B.C. 422.