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Updated: June 17, 2025
It is said that Carman, the foreman of the machine shop, had gone the length of wagering Edison a box of cigars that the device would not work. All the world knows that he lost. The original Edison phonograph thus built by Kruesi is preserved in the South Kensington Museum, London. That repository can certainly have no greater treasure of its kind.
John Kruesi had charge of this shop, and was assisted by a number of skilled mechanics, notably John Ott, whose deft fingers and quick intuitive grasp of the master's ideas are still in demand under the more recent conditions at the Llewellyn Park laboratory in Orange. Between the machine-shop and the laboratory was a small building of wood used as a carpenter-shop, where Tom Logan plied his art.
It is not to be supposed, however, that the Edison tube system had then reached a finality of perfection in the eyes of its inventor. In his correspondence with Kruesi, as late as 1887, we find Edison bewailing the inadequacy of the insulation of the conductors under twelve hundred volts pressure, as for example: "Dear Kruesi, There is nothing wrong with your present compound. It is splendid.
One was Sigmund Bergmann, for a time partner with Edison in his lighting developments in the United States, and now head and principal owner of electrical works in Berlin employing ten thousand men. The next man adjacent was John Kruesi, afterward engineer of the great General Electric Works at Schenectady.
But it would have been impossible to continue the institution had not the Helvetic Government voted him, in addition to the grant before mentioned, an annual supply of fuel, and a salary of twenty-five pounds each to two of his assistants, Kruesi and Buss, who, however, generously declined receiving it themselves, but devoted it to the general funds of the institution, from which they received nothing but their board and lodging.
Kruesi, at that time engaged on piece-work for me. I told him it was a talking-machine. He grinned, thinking it a joke; but he set to work and soon had the model ready. I arranged some tin-foil on it and spoke into the machine. Kruesi looked on, still grinning. But when I arranged the machine for transmission and we both heard a distinct sound from it, he nearly fell down in his fright.
Edison with his wonderful flow of ideas which were sharply defined in his mind, as can be seen by any of the sketches that he made, as he evidently always thinks in three dimensions; Mr. Kruesi, willing to take the ideas, and capable of comprehending them, would distribute the work so as to get it done with marvellous quickness and great accuracy. Mr.
Much of his power was due, not to calmly reasoned-out plans of culture, but to his profound sympathy, which gave him a quick perception of childish needs and difficulties. He lacked the ability logically to co-ordinate and develop the truths which he thus from time to time laid hold of; and had in great measure to leave this to his assistants, Kruesi, Tobler, Buss, Niederer, and Schmid.
Of somewhat different caliber was "honest" John Kruesi, who first made his mark at Menlo Park, and of whom Edison says: "One of the workmen I had at Menlo Park was John Kruesi, who afterward became, from his experience, engineer of the lighting station, and subsequently engineer of the Edison General Electric Works at Schenectady. Kruesi was very exact in his expressions.
Long experience proved that there were great drawbacks found generally before they could be got commercial; but here was something there was no doubt of." No wonder that honest John Kruesi, as he stood and listened to the marvellous performance of the simple little machine he had himself just finished, ejaculated in an awe-stricken tone: "Mein Gott im Himmel!"
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