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Those you have there are part of an accumulation of many years, imported in the rough, one or two at a time." Mr. Czenki was gazing abstractedly out of a window, but the expression on his lean face indicated the keenest interest, and and something else; apprehension, maybe. The chief stared straight into the young man's eyes for an instant, and then: "And Mr. Kellner's family?" he inquired.

And, until four years ago, he was assisted by his son, Miss Kellner's father, and her brother. There was some explosion in this chamber where we stand which killed them both, and since then he has worked alone. His son Miss Kellner's father was the inventor of the machine which has enabled us to cut all the stones I showed you.

He held up the uncut stones that had been found on the floor. "I don't know their exact number," was the reply. "Their value, I should say, was about sixty thousand dollars. Except for this little house, and the grounds adjoining, practically all of Mr. Kellner's money was invested in diamonds.

Eugene did not know at this time how very difficult it was to obtain an exhibition under Kellner's auspices, they being over-crowded with offers of art material and appeals for display from celebrated artists who were quite willing and able to pay for the space and time they occupied.

It was during the silence after those two lines that Henry Irving as Romeo had one of those sublime moments which an actor only achieves once or twice in his life. The only thing that I ever saw to compare with it was Duse's moment when she took Kellner's card in "Magda."

"To-night?" I cried. "To-night at eleven, and Kellner's the place. You may well open your eyes, but we didn't go there much, if you remember, and the staff seems changed. Anyway we'll risk it for once. I was in last night, talking like a stage American, and supper's ordered for eleven sharp." "You made as sure of me as all that!" "There was no harm in ordering supper.

Half an hour passed; the little bell was silent; Claflin and Sutton were still visible from the window. Miss Kellner's eyes were immovably fixed on Mr. Wynne's face, and he repressed his gnawing anxiety with an effort. Finally he wrote again on the tissue slips three of them this time and together they climbed to the roof, attached the messages, and watched the birds disappear.

It might have been useful to us.... And there's the old club, getting put into a crate for the Jubilee; by Jove, Bunny, we ought to be there. I wouldn't lean forward in Piccadilly, old chap. If you're seen I'm thought of, and we shall have to be jolly careful at Kellner's.... Ah, there it is! Did I tell you I was a low-down stage Yankee at Kellner's?

He had thought of an exhibition at Kellner's as the last joyous thing to be attained in the world of rising art and now it looked as though he was near it. It might actually be coming to pass. This man wanted to see the rest of his work. He was not opposed to looking at them. What a triumph even that was!

He had spent most of his time this winter working with these pictures. "Oh, Eugene," exclaimed Angela, "it seems so wonderful. I can hardly believe it. You a really, truly, great artist! And us going to Paris! Oh, isn't that beautiful. It seems like a dream. I think and think, but it's hard to believe that I am here sometimes, and that your pictures are up at Kellner's and oh!