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Iruka having been beguiled into laying aside his sword, the reading of the memorials was commenced by Kurayamada, and Prince Naka ordered the twelve gates to be closed simultaneously. At that signal, two swordsmen should have advanced and fallen upon Iruka; but they showed themselves so timorous that Prince Naka himself had to lead them to the attack.
The succession may be said to have had three aspirants at that time: first, Prince Karu, younger brother of the Empress Kogyoku; secondly, Prince Naka, her son, and thirdly, Prince Furubito, uncle of Soga no Iruka.
He then returned to the temple at Ikaruga, which his father had built, and being presently besieged there by the Soga forces, he and the members of his family, twenty-three in all, committed suicide. This tragedy shocked even Emishi. He warned Iruka against the peril of such extreme measures.
One of the first acts of the new sovereign was to raise Emishi to the rank held by his father, the rank of o-omi, and there then came into prominence Emishi's son, Iruka, who soon wielded power greater than even that possessed by his father. Iruka's administration, however, does not appear to have been altogether unwholesome.
The Soga mansion, on the eastern slope of Mount Unebi, was a species of fortress, surrounded by a moat and provided with an armoury having ample supply of bows and arrows. Emishi, the o-omi, always had a guard of fifty soldiers when he went abroad, and Iruka, his son, wore a sword "day and night." Nothing offered except to convert the palace itself into a place of execution.
It will be remembered that the Soga chief, Emishi, had lent his omnipotent influence to secure the sceptre for Jomei, because of the latter's affection for Emishi's daughter. This lady, having become one of Jomei's consorts, had borne to him Prince Furubito, who was consequently Iruka's uncle. Iruka determined that the prince should succeed the Empress Kogyoku.
On the twelfth day of the sixth month, 645, the Empress held a Court in the great hall of audience to receive memorials and tribute from the three kingdoms of Korea. All present, except her Majesty and Iruka, were privy to the plot.
Emishi's usurpation of Imperial authority was carried so far that he did not hesitate to confer the rank of o-omi on his son, Iruka, and upon the latter's younger brother also. Iruka now conceived the design of placing upon the throne Prince Furubito, a son of the Emperor Jomei.
Yet for the roofs, boards alone were used. *Down to A.D. 645.1 It was here that the assassination of Soga no Iruka took place. Little is recorded about the progress of painting in this epoch. It has been shown above that during Yuryaku's reign pictorial experts crossed to Japan from Korea and from China.
The Empress, seeing that her own son led the assassins, withdrew at once, and the work of slaughtering Iruka was completed, his corpse being thrown into the court-yard, where it lay covered with straw matting. Prince Naka and Karaatari had not been so incautious as to take a wide circle of persons into their confidence.
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