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Updated: May 25, 2025


Few of them, if any, are open to the objection already pointed out with respect to Allworthy and the younger Blifil, and most of them bear signs of having been closely copied from living models. Nor are the female actors less accurately conceived. Starched Miss Bridget Allworthy, with her pinched Hogarthian face; Miss Western, with her disjointed diplomatic jargon; that budding Slipslop, Mrs.

Where did Guido get the model of such a strange creature as that? Nor does Hogarth, in painting the same scene in his own "Perseus Descending," make out one whit better. The huge corpulence of that Hogarthian monster undulates on the surface, scarcely drawing one inch of water.

During this last term of imprisonment Haydon witnessed the masquerade, or mock election by his fellow-prisoners, and instantly decided that he would paint the scene, which offered unique opportunities for both humour and pathos. This picture, Hogarthian in type, was finished and exhibited before the close of the year.

Herein is most commendable success. Punch's gallery with but few, if any exceptions may be opened to the purest eyes. In it there is much of Hogarthian genius, without anything that needs a veil. In alluding to the agencies of Punch, it would be doing him great injustice to leave the impression that they are all of a mirthful character.

Goya was not booming at the moment, but he would come again; and, looking at that portrait, Hogarthian, Manetesque in its directness, but with its own queer sharp beauty of paint, he was perfectly satisfied still that he had made no error, heavy though the price had been heaviest he had ever paid. And next to it was hanging the copy of "La Vendimia."

He was healthy, he was corpulent, he was prosperous, conventional, and commonplace. If Gabriella had been seeking, with Hogarthian humour, to portray the evils of torpid and self-satisfied respectability, she could scarcely have found a better picture of the condition than Charley presented. And the more Charley expanded, the more bloodless and wan Jane appeared at his side.

There is in this and similar scenes something of the quality of Hogarth and many other English moralists of the early eighteenth century. It is not easy to define this Hogarthian quality in words, beyond saying that it is a sort of alphabetical realism, like the cruel candour of children. But it has about it these two special principles which separate it from all that we call realism in our time.

And spread out before Langham's shrinking soul there lay a whole dismal Hogarthian series, image leading to image, calamity to calamity, till in the last scene of all the maddened inward sight perceived two figures, two gray and withered figures, far apart, gazing at each other with old and sunken eyes across dark rivers of sordid irremediable regret.

Where did Guido get the model of such a strange creature as that? Nor does Hogarth, in painting the same scene in his own "Perseus Descending," make out one whit better. The huge corpulence of that Hogarthian monster undulates on the surface, scarcely drawing one inch of water.

The cumbrous allegory, the tedious platitudes, the rimed texts from Scripture which form the staple of Langland's work, are only broken here and there by phrases of a shrewd common sense, by bitter outbursts, by pictures of a broad Hogarthian humour.

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