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Chopin heard Henrietta Sontag with great joy; he was ever a lover and a connoisseur of singing. He advised young pianists to listen carefully and often to great singers. Mdlle. de Belleville the pianist and Lipinski the violinist were admired, and he could write a sound criticism when he chose. But the Gladowska is worrying him. "Unbearable longing" is driving him to exile.

He never saw his Gladowska again, for he did not return to Warsaw. The lady was married in 1832 preferring a solid certainty to nebulous genius- -to Joseph Grabowski, a merchant at Warsaw. Her husband, so saith a romantic biographer, Count Wodzinski, became blind; perhaps even a blind country gentleman was preferable to a lachrymose pianist. Chopin must have heard of the attachment in 1831.

Yes, they were miracles of sculpture, miracles of colour and delicacy, the slender tips well-nigh prehensile in their cunning power. And the fingers of Constantia, of his love, of the woman who loved Chopin that Chopin whose first passion was for her grandmother, the opera singer Constantia Gladowska! The knowledge of her cruel deception crept into his consciousness.

He was Polish, this the public appreciated, but of Chopin the individual they missed entirely the flavor. A week later, spurred by adverse and favorable criticism, he gave a second concert, playing the same excerpts from this concerto the slow movement is Constance Gladowska musically idealized the Krakowiak and an improvisation. The affair was a success.

Titus was less demonstrative, but always remained devoted. Love for women was destined to play a large part in the inner life of Chopin. The first awakening of this feeling came from his admiration of Constantia Gladowska, a beautiful girl and vocal pupil at the Conservatory at Warsaw.

"Pardon the liberty." She answered him in her grave, measured contralto. "Constantia Gladowska was my grandmother." The playing, the portraits, were now explained. A lover of the Polish composer, Davos knew every incident of his biography. "I am the son of that Joseph Grabowski, the Warsaw merchant who married the soprano singer, Constantia Gladowska, in 1832," said the father, smilingly.

The girl, without answering him, detached from her neck a large brooch and chain. Davos took it and amazedly compared the portrait with the living woman. "You are Constantia Gladowska." She smiled. "Her love of Chopin she must have loved her youthful adorer has been transmitted to you.

He reached Dresden August 26, heard Spohr's "Faust" and met capellmeister Morlacchi that same Morlacchi whom Wagner succeeded as a conductor January 10, 1843 vide Finck's "Wagner." By September 12, after a brief sojourn in Breslau, Chopin was again safe at home in Warsaw. About this time he fell in love with Constantia Gladowska, a singer and pupil of the Warsaw Conservatory.

The two years of indecision were fruitful in producing much piano music and in completing the beautiful E minor Concerto, which was rehearsed with orchestra and was performed at the third and last concert he ever gave in Warsaw. This concert was arranged for October 11, 1830. Chopin requested Constantia Gladowska, whom he had never met, to sing an aria.

Best of all for him, Miss Gladowska sang a Rossini air, "wore a white dress and roses in her hair, and was charmingly beautiful." Thus Chopin; and the details have all the relevancy of a male besieged by Dan Cupid. Chopin must have played well. He said so himself, and he was always a cautious self-critic despite his pride.