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Updated: June 21, 2025


The reason of these phases was very simple. His wife could not oppose him, Don Paolo would not wrangle with him, Gianbattista imposed upon him by his superior calm and strength of character, and, lastly, his socialist friends applauded him and nattered his vanity. It is impossible for a weak man to appear always the same, and his weakness is made the more noticeable when he affects strength.

"I wish he could make the figure solid, cast and chiselled, instead of repoussé," remarked Gianbattista, whose powerful hands craved heavy work by instinct. "It would be a pity to waste so much silver; and besides, the effects are never so light," said Lucia, who, like most artists' daughters, knew something of her father's work.

The result was that the young man's mental position was unbalanced, and he was inclined to return to a more normal condition of thought. Don Paolo did not know all this, but he saw that Gianbattista had grown more quiet during the last year, and he hoped that his marriage with Lucia would complete the change.

Gianbattista was the last of the party to enter the lodging, and as he paused to shut the door, Lucia was still lingering at the threshold. "Hist! They will see!" she protested under her breath. "What do I care!" whispered the apprentice, as he kissed her cheek in the dusky passage. Then they followed the rest.

I am very busy." In ten minutes the pieces were all piled upon the two vehicles, and Gianbattista strode away on foot with the workmen. He had not thought of changing his dress, and had merely thrown an old overcoat over his grey woollen blouse. For the time, he was an artisan at work.

"Oh, to think that I should have such a monster for a husband," groaned the fat Signora Pandolfi, still rocking herself in her chair, and hardly able to speak through her sobs. "You will do a bad day's work for yourself and your art when you try to separate us," said Gianbattista between his teeth.

He pictured to himself his wife and daughter listening respectfully to his harangues and beginning to practise his principles, Gianbattista, an eloquent member of the society in the inner room of the old inn, reformed, purged from his sneaking fondness for Paolo since Paolo would not be in the world any longer and ultimately married to Lucia, the father of children who should all be baptized in the name of Reason, and the worthy successor of himself, Marzio Pandolfi.

Honestly, Sor Marzio, do you not think so yourself?" Marzio looked at his apprentice and frowned, as though hesitating whether to lose his temper and launch into the invective style, or to answer Gianbattista reasonably. Apparently he decided in favour of the more peaceable course.

A scene of indescribable confusion followed, in which Gianbattista alone seemed to maintain some semblance of coolness. The rest all spoke and cried at once. Maria Luisa and Lucia knelt beside the body where they had laid it on the steps of the high altar, crying aloud, kissing the white hands and beating their breasts, praying, sobbing, and calling upon Paolo to speak to them, all in a breath.

It was this subtle power that Marzio resented, for he saw that it was exerted continually, both upon himself and the members of his household. The chiseller acknowledged to himself that in a great emergency his wife, his daughter, and even Gianbattista Bordogni, would most likely follow the advice of Don Paolo, in spite of his own protests and arguments to the contrary.

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