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In this disaster who knows what became of the miracle picture of Madonna? For years the loggia lay in ruins, till peace being established in 1336, the Commune decided to rebuild it, giving the work into the hands of the Guild of Silk, which, according to Vasari, employed Taddeo Gaddi as architect.

But while the youth was embracing his great-grandfather, who hugged and caressed him, Nun, with youthful vivacity, was issuing orders to the shepherds and servants: "Let the tent fall, men! The storm has begun the work for you! Wrap the covering round the poles, load the carts and beasts of burden. Move briskly, You, Gaddi, Shamma, and Jacob, join the others! The hour for departure has come!

His presence of mind, which had failed him in the terrible crisis of the morning, had been a ready instrument this time. It was an excellent livery servant that never forsook him when danger was not visible. But when he was complimented on his opportune service, he laughed it off as a thing of no moment, and to those who had not witnessed it, let Gaddi have the credit of the improvised welcome.

Let them go straight from here as soon as the Sabbath is over, the journey is shorter, and they'll be as well out of the way in one country as in the other. Esora is wiser than I, Joseph thought, and together they shall go to Jericho, and with an important message. But to whom? Not to Gaddi, who might come up to Jerusalem to see me.

But the roof must first be looked at alone, as the work of Taddeo Gaddi, for the artistic qualities and failures of it. I. In front, as you enter, is the compartment with the subject of the Resurrection. It is the traditional Byzantine composition: the guards sleeping, and the two angels in white saying to the women, "He is not here," while Christ is seen rising with the flag of the Cross.

I took with me my apprentice, who was about twelve years of age; with the same Vincenzio Romoli, who had been my companion the first time, and one Agnolino Gaddi, an intimate acquaintance, whom I likewise prevailed on to assist at the ceremony.

Then Heraclius, the Emperor, went out against him by the river of Danube, and they fought the one with the other upon the bridge, and agreed together that the victor should be prince of the whole Empire: and God gave the victory to Heraclius, who bore the Cross into Jerusalem. So Agnolo Gaddi has painted the story in the choir of S. Croce.

Only Messer Francesco Gaddi, one of the officers of the palace, had sufficient presence of mind to press his way through the throng and make a short speech suited to the occasion in French, after which the King moved forward under a rich canopy. The monarch's appearance was in strange contrast with that of the numerous and powerful army behind him.

Francis by Giotto, Taddio, Gaddi and Giunto Pisano; the upper spaces have representations of the Old and New Testament by Pietro Cavallini and his school. These upper paintings are now in ruins, but even in their ruins they are precious pearls of mediaeval art. The stained glass windows are of such exceptional beauty and artistic correctness that their equal cannot be found in all Italy.

And the people of that country, though they were Gentiles, kept this prophecy as a tradition among them, and waited with faith and hope for its fulfilment. According to an ancient commentary on St. Matthew, this star, on its first appearance, had the form of a radiant child bearing a sceptre or cross. In a fresco by Taddeo Gaddi, it is thus figured; and this is the only instance I can remember.