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But Raffaello, who was goodness and modesty in person, left standing all that had been done by Perugino, who had once been his master; and of Mattaccio's he destroyed nothing save the inner work and the figures of the medallions and scenes, leaving the friezes and the other ornaments, which are still round the figures that Raffaello painted there, which were Justice, Universal Knowledge, Poetry, and Theology.

But the works in which he showed himself most marvellous were some festoons of fruits that are in the friezes of the beams on the under side, which are so beautiful that there is nothing better coloured or more natural to be seen, particularly because they are separated one from another by certain masks, that hold in their mouths the ligatures of the festoons, than which one would not be able to find any more varied or more bizarre; in which manner of work it may be said that Cristofano was superior to any other who has ever made it his principal and particular profession.

There are only two of these cylindrical friezes, but they are repeated many times on the columns at either end and at the main entrance, and on the pairs of columns that flank the minor openings in the western wall.

The ante-chambers are devoted to Orpheus and Hesiod, and the ornaments are in the oldest Greek style; severely simple; archaic, but not rude; the figures of the friezes in outline, and without relief. The saloon of reception, on the contrary, is Homeric; and in its colouring, design, and decoration, as brilliant, as free, and as flowing as the genius of the great Mæonian.

Nor had any long time passed when Antonio da San Gallo who was directing for Messer Agnolo Cesis the execution of the marble ornaments of a chapel and tomb for himself and his family, which were afterwards erected in the year 1550 in the Church of S. Maria della Pace caused part of certain pilasters and socles covered with friezes, which were going into that work, to be wrought by Simone, who executed them so well and with such beauty, that they make themselves known among the others, without my saying which they are, by their grace and perfection; nor is it possible to see any altars for the offering of sacrifices after the ancient use more beautiful and fanciful than those that he made on the base of that work.

Setting his hand to this, then, Giovanni carried it excellently well to completion with the aid of many assistants, with most beautiful foliage, rosettes, and other ornaments of stucco and gold; but in one thing he failed in judgment, for the reason that on the flat friezes that form the ribs of the vaulting, and on those that run crossways, so as to enclose the squares, he made foliage, birds, masks, and figures that cannot be seen at all from the ground, although they are very beautiful, by reason of the distance, and also because they are divided up by other colours, whereas, if he had painted them in colours without any other elaboration, they would have been visible, and the whole work would have been brighter and richer.

Tombs and temples, overthrown and prostrate; small fragments of columns, friezes, pediments; great blocks of granite and marble; mouldering arches, grass-grown and decayed; ruin enough to build a spacious city from; lay strewn about us.

Here the floriated thyrsus, there a lance-head, farther on Egyptian urns, now and then a few cannon; on all sides the emblems of professions, and every style of art, Moorish, Greek, Gothic, friezes, ovules, paintings, vases, guardian-angels, temples, together with innumerable immortelles, and dead rose-bushes. It is a forlorn comedy!

The slender "Stars" along the top of the colonnade are the work of A. Stirling Calder. When one remembers that this is the Court of the Universe, they seem to fit in with the meaning of the whole, and architecturally their symmetry of form fits them well for repetition. The low relief friezes on the corner pavilions represent "The Signs of the Zodiac," and are by Hermon A. MacNeil.

The archæological treasures consist of sculptures and friezes of Greco-Buddhist origin, illustrating incidents in the life of Buddha, while the statues represent the great Gautama and some of his disciples. Most of these are still in perfect preservation, though varying from fifteen hundred to two thousand years in antiquity.