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Updated: June 23, 2025


Some additions have been made to it, and with striking effect as the Brunswick Tower, and the western tower of George the Fourth's Gate-way which so nobly terminates the approach from the great park.

"And now doors fly under hatchets; the Judiths have broken the armory; have seized guns and cannon, three money-bags," and have fired the beautiful City Hall of King Henry the Fourth's time!

Only imagine if some recent history of England, Adolphus's, or Stebbing's, contained an account of a certain day in George the Fourth's reign having had twenty-four hour's daylight instead of the usual admixture; could the intolerable falsehood last a minute? Such a placard would be torn away from the records of the land the moment a rash hand had fixed it there.

It is compatible with this man's honesty to cheat you in a matter of horseflesh, with that man's in a traffic of railway shares, with that other man's as to a woman's fortune; with a fourth's anything may be done for a seat in Parliament, while the fifth man, who stands high among us, and who implores his God every Sunday to write that law on his heart, spends every hour of his daily toil in a system of fraud, and is regarded as a pattern of the national commerce!"

In fact, it has had to be explained, for the sake of clearness, by some recent writers, that the word "Catholic" was constantly used in George the Fourth's time merely to signify pro-Catholic.

Charlotta the Fourth admired Anne wholeheartedly. It was not that she thought her so very handsome. Diana Barry's beauty of crimson cheek and black curls was much more to Charlotta the Fourth's taste than Anne's moonshine charm of luminous gray eyes and the pale, everchanging roses of her cheeks. "But I'd rather look like you than be pretty," she told Anne sincerely.

Peter's would not have been built, nor would "The Last Judgment" have been painted. We know, too, of Philip the Fourth's great love of the art of Velasquez. The Court of Frederick the Great was a republic of art and letters; and is it not indirectly to a Bavarian monarch that we owe Wagner's immortal chefs-d'oeuvre, and hence the musical evolution of the century?

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