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Updated: May 6, 2025
Out of Euphrasia's eyes, as she gazed at the mantel-shelf, shone the light of undying fires within fires which at a touch could blaze forth after endless years, transforming the wrinkled face, softening the sterner lines of character. And suddenly there was a new bond between the two. So used are the young to the acceptance of the sacrifice of the old that they lose sight of that sacrifice.
Austen's words, unconsciously, were an answer to her thoughts. "It isn't anybody's fault but my own," he said. Euphrasia's lips were tightly closed.
Out of Euphrasia's eyes, as she gazed at the mantel-shelf, shone the light of undying fires within fires which at a touch could blaze forth after endless years, transforming the wrinkled face, softening the sterner lines of character. And suddenly there was a new bond between the two. So used are the young to the acceptance of the sacrifice of the old that they lose sight of that sacrifice.
Flint's daughter if he chose or any other man's daughter; partaking, in this respect, somewhat of Euphrasia's view. As for Austen himself, Tom had seen no symptoms; but then, he reflected, he would not be likely to see any. However, he perceived the object now of Euphrasia's visit, and began to take the liveliest interest in it. "So you think Austen's in love?" he demanded.
A trace of colour actually rose under Euphrasia's sallow skin, and she cast her eyes downward. "You've known him a good while, haven't you, Tom?" "All my life," said Tom, mystified again, "all my life. And I, think more of him than of anybody else in the world." "I calculated as much," she said; "that's why I came." She hesitated. Artful Euphrasia! We will let the ingenuous Mr.
Out of Euphrasia's eyes, as she gazed at the mantel-shelf, shone the light of undying fires within fires which at a touch could blaze forth after endless years, transforming the wrinkled face, softening the sterner lines of character. And suddenly there was a new bond between the two. So used are the young to the acceptance of the sacrifice of the old that they lose sight of that sacrifice.
That was what made Miss Euphrasia's "words" chord so pleasantly, always, without any jar, upon whatever string was being played; and the impulse and echo of them to run on through the music afterward, as one clear bell-stroke marking an accent, will seem to send its lingering impression through the unaccented measures following.
He felt himself tremble at the name, at the strangeness of its sound on Euphrasia's lips. "I do not expect to see Miss Flint," he answered, controlling himself as well as he was able. "I have an errand for the Judge with Mr. Flint himself." Euphrasia had guessed his secret! But how? "Hadn't you better see her?" said Euphrasia, in a curious monotone.
Viola's situation in Twelfth Night is precisely similiar to Euphrasia's, but there is a difference in the handling of the device which is characteristic of a distinction between Shakspere's art and that of his contemporaries.
During her brief married life there had been periods of defiance from her lasting a week, when she would not speak to Hilary or look at him, and these periods would be followed by violent spells of weeping in Euphrasia's arms, when the house was no place for Hilary.
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