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Updated: June 6, 2025


Fortunately for him, the incident took place while Gérôme was on a visit to his parents at Vesoul, so that he was in no way implicated in the affair. He came back to find the studio closed; Delaroche, deeply disturbed, had dismissed all his pupils and announced his intention to visit Italy.

There were two or three Geromes; and in the place of honour at the end of the gallery there was a grand Delaroche, Anne Boleyn's last letter to the king, the hapless girl-queen sitting at a table in her gloomy cell in the Tower, a shaft of golden light from the narrow window streaming on the fair, disordered hair, the face bleached with unutterable woe, a sublime image of despair and self-abandonment.

Brown predominates in the colour scale, the composition is rather conventional, an echo, perhaps, of the artist's Delaroche apprenticeship, but the Vintager is a masterpiece. Seated among the vines in the blaze of the sun, he is resting and has removed his heavy sabots. The relaxed attitude after arduous labour is wonderfully expressed. The atmosphere indicates stifling sultriness.

He had been with Delaroche three years and had proved himself one of the most loyal and diligent of his pupils, when an event occurred, insignificant in itself, but which was to have an important influence upon his life and give a new direction to his talent. French studios are not as a rule very orderly places.

Delaroche may surpass him in strength and vigor of conception, and in thorough modelling and execution; but Scheffer has taken a deeper hold of the feelings, and has risen into a higher spiritual region. It has been reproachfully said that Scheffer is the painter for pretty women, for poets, and for lovers.

The guests took their seats round a table on which was the famous centrepiece, executed after Chenavard's design, by Barye, Pradier, Klagman, Moine, my sister Marie, and by Ary Scheffer and Paul Delaroche as well, who laid aside their painters' brushes for the nonce, and wielded the sculptor's point.

Not only Ingres, but Delaroche and Ary Scheffer, painted beside Géricault and Delacroix. Ary Scheffer was an eloquent partisan of romanticism, yet his "Dante and Beatrice" and his "Temptation of Christ" are admirable only from the academic point of view.

Young Gérôme made a copy of this picture, and an artist from Paris, who happened to be passing through Vesoul, saw it, and discerning the boy's talent, gave him a letter to Paul Delaroche, encouraging him to go to Paris and there to take up the study of art as a profession.

He will always stand as the companion of Ingres and Delaroche and Géricault; and if his successors surpass him even in his own path, they will owe much to him who helped to open the way. He lived through times of trouble, when a man's faith in humanity might well be shaken, yet he remained no less a believer in and lover of mankind.

He made but a brief stay there, and although he won the respect of his master, who would willingly have retained him as pupil and assistant, he was conscious that he learned nothing from Delaroche; and accordingly, in company with another pupil, Marolles, who had taken a great liking to him, he left the studio without much ceremony; and the two friends improvised a studio and a lodging for themselves in a garret in a poor quarter of the city, and began their search for a means of pleasing the public.

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