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Updated: May 4, 2025
The bath is too voluptuous for the normal heart. On its waters float argosies crimson-hulled, purple-rigged, freighted with dreams come true. You have but a gesture to make. Those dreams are spaniels crouching at your feet. At a bath not dissimilar but financially far shallower, Monte Cristo cried: "The world is mine!" It was very amusing of him.
The frequent passing of men as well as women and children through our Plaza San Fernando and the prevalence of men asleep on the benches; the immense majority of boys everywhere; the moralized abattoir outside the walls where the humanity dormant at the bull-feast wakes to hide every detail of slaughter for the market; a large family of cats basking at their ease in a sunny doorway; trains of milch goats with wicker muzzles, led by a milch cow from door to door through the streets; the sudden solemn beauty of the high altar in the cathedral, seen by chance on a brilliant day; the bright, inspiriting air of Seville; a glorious glimpse of the Giralda coming home from a drive; the figure of a girl outlined in a lofty window; a middle-aged Finnish pair trying to give themselves in murmured talk to the colored stucco of the Hall of the Ambassadors in what seems their wedding journey; two artists working near with sketches tilted against the wall; a large American lady who arrives one forenoon in traveling dress and goes out after luncheon in a mantilla with a fan and high comb; another American lady who appears after dinner in the costume of a Spanish dancing-girl; the fact that there is no Spanish butter and that the only good butter comes from France and the passable butter from Denmark; the soft long veils of pink cloud that trail themselves in the sky across our Plaza, and then dissolve in the silvery radiance of the gibbous moon; the yellowish-red electric Brush lights swinging from palm to palm as in the decoration of some vast ballroom; a second drive through Triana, and a failure to reach the church we set out for; the droves of brown pigs and flocks of brown sheep; the goatherds unloading olive boughs in the fields for the goats to browse; a dirty, kind, peaceful village, with an English factory in it, and a mansion of galvanized iron with an automobile before it; a pink villa on a hillside and a family group on the shoulder of a high-walled garden; a girl looking down from the wall, and a young man resting his hand on the masonry and looking up at her; the good faces of the people, men and women; boys wrestling and frolicking in the village streets; the wide dust-heap of a road, full of sudden holes; the heat of the sun in the first November week after touches of cold; the tram-cars that wander from one side of the city street to the other, and then barely miss scraping the house walls; in our drive home from our failure for that church, men with trains of oxen plowing and showing against the round red rayless sun; a stretch of the river with the crimson-hulled steamers, and a distant sail-boat seen across the fields; the gray moon that burnishes itself and rides bright and high for our return; people in balconies, and the air full of golden dust shot with bluish electric lights; here is a handful of suggestions from my note-book which each and every one would expand into a chapter or a small volume under the intensive culture which the reader may well have come to dread.
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