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He held the glass high, pointing it first towards the middle of what had been Market Street, and was now a river of fire, then slowly shifting it along towards Kearney and Montgomery, as he named the restaurants that had given San Francisco no mean part of her fame. "Here's to Zinkand's, Tait's, The Palace Grill! The Poodle Dog! Marchand's! The Pup! Delmonico's! Coppa's! The Fashion!

In either of these restaurants you will be served with the best the market affords, cooked "the right way." In Clay street opposite the California Market is the New Frank's, one of the best of the Italian restaurants, and much patronized by Italian merchants. Next to it is Coppa's, but it is no longer run by Coppa.

It is the most delicious way chicken was ever cooked." This is the recipe as Coppa gave it to us, his little wife standing at his side and giving, now and then, a suggestion as Coppa's memory halted: Chicken Portola a la Coppa Take a fresh cocoanut and cut off the top, removing nearly all of the meat.

In his Pompeiian Garden Coppa still maintains his old reputation for most tasty viands and liberal portions, and if one desire to find the true Bohemian restaurant of San Francisco today, one that approaches the old spirit of the days before the fire, he need but go out to Coppa's and while he will not have his eyes regaled by the quaint drawings with which the old-time artists decorated the walls, nor the hurrying footsteps along the ceiling to the famous center table where sat some of the world's most notable Bohemians on their visits to San Francisco, nor the frieze of black cats around the cornice, nor the Bohemian verse, written under inspiration of "Dago red," he will find the same old cooking, done by Coppa himself.

Then he quietly lunched at Martenelli's with the much-honored but most-uncomfortable Wolf Yonkholm, who promptly suspended his "dip" operations at the Beaches out of respect to Blake's sudden call. Nothing of moment, however, was learned from the startled Wolf, and at Coppa's six hours later, Blake dined with a Chink-smuggler named Goldie Hopper.

We asked Coppa what he considered his best dish and he gave us the Irishman's reply by asking another question: "What do you think of it?" There are so many to choose from that our answer was difficult but we finally stopped at "Chicken Portola." It was then that the old smile came back to Coppa's face. "Ah! Chicken Portola. That is my own idea.

Again in the automobile to Coppa's where Chicken Portola was served, with green peas. Accompanying this was a glass of Krug, and this was followed by a glass of zabaione for dessert. Then around the corner to Gouailhardou & Rondel's, the Market Cafe, where from a plain pine table, and on sanded floor, we had our coffee royal.

Coppa's walls were always adorned with strange conceits of the artists and writers who frequented his place, and after a picture, or a bit of verse had remained until it was too familiar some one erased it and replaced it with something he thought was better. We preserved one written by an unknown Bohemian.

"What is the matter with the chicken, Doctor? Is it not cooked just right?" It was with difficulty that we made him understand that there was a limit to capacity, and that he had fed us with such bountiful hand we could eat no more. Even now when we go to Coppa's we have a little feeling of fear lest we offend him by not eating enough to convince him that we are pleased.

If one should tell exactly what could be had at Coppa's for fifty cents or at the Fashion for, say thirty-five, no New Yorker who has not been there would believe it. The San Francisco French dinner and the San Francisco free lunch were as the Public Library to Boston or the stock yards to Chicago. A number of causes contributed to this.