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Updated: May 6, 2025


Gibson replied, with many stammerings, that he hoped his slender means would suffice for his personal needs, but that if Canova would only condescend to give him instruction, to make him his pupil, to let him model in his studio, he would be eternally grateful. Canova was one of the most noble and lovable of men.

And is it not better for the historic Canova to have begun in this way than to have poorly picked up the rudiments of his art in the workshop of his father, a maker of altar-pieces and the like for country churches? The Canova family was intermarried with the Venetian nobility, and will not credit those stories of Canova's beginnings which his townsmen so fondly cherish.

When she left Rome for a short absence, Canova modelled two busts of her from memory, in the hope of giving her a pleasant surprise, one with the hair simply arranged, the other with a veil. Madame Récamier was not pleased, and her annoyance did not escape the penetrating eye of the artist. She tried in vain to efface the unfavorable impression he had received, but he only half forgave her.

It is situated within a few minutes' walk of the Cathedral in its own piazza, in the centre of which stands the striking monument and statue of the intensely thoughtful Dante, by Canova: "In Santa Croce's holy precincts lie Ashes which make it holier, dust which is Even in itself an immortality.

Canova shared his pleasure, till the young man came to the price; then the older sculptor's face fell ominously. "Five hundred pounds!" he cried in dismay; "why, it won't cover the cost of marble and workmanship." And so indeed it turned out; for when the work was finished, it had stood Gibson in L520 for marble and expenses, and left him twenty pounds out of pocket in the end.

Great difficulty occurred in forming a plan for deriving the utmost advantage from the marbles and casts. Lord Elgin's first attempt was to have the statues and bassi rilievi restored; and in that view he went to Rome to consult and to employ Canova. The decision of that most eminent artist was conclusive.

It has, in consequence, escaped that recrudescence of the primitive and inchoate known in England and among ourselves as pre-Raphaelitism. It has escaped also that almost abject worship of classic models which Winckelmann and Canova made universal in Germany and Italy not to speak of its echoes elsewhere.

Over the door of one of the houses was a marble tablet, bearing an inscription, to the purport that the sculpture-rooms within had formerly been occupied by the illustrious artist Canova. The studio of a sculptor is generally but a rough and dreary-looking place, with a good deal the aspect, indeed, of a stone-mason's workshop.

There are in all twelve halls, each containing the remains of a particular era in the art, and arranged according to time, so that, beginning with the clumsy productions of the ancient Egyptians, one passes through the different stages of Grecian art, afterwards that of Rome, and finally ends with the works of our own times the almost Grecian perfection of Thorwaldsen and Canova.

It is of such noble men as this that the world of art is largely made up that world which we too-practical English have always undervalued or even despised. Gibson's student period at Rome under Canova was a very happy episode in a uniformly happy and beautiful life. His only trouble was that he had not been able to come there earlier.

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