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Updated: June 24, 2025


I do not think this cat has the slightest interest in the lovely Madonna of Bellini which hangs in the sacristy; but I suspect him of dreadful knowledge concerning the tombs in the church.

And, therefore, I again state here, that I think his pictures painted between the years 1830 and 1845 his greatest; and that his entire power is best represented by such pictures as the Temeraire, the Sun of Venice going to Sea, and others, painted exactly at the time when the public and the press were together loudest in abuse of him. Turner. Tintoret. Massaccio. John Bellini. Albert Durer.

I cannot forbear to tell, in this place, the story of what happened between him and Giovanni Bellini. Bellini had the highest reputation as a painter at Venice, and indeed throughout all Italy. When Albrecht was there he easily became intimate with him, and both artists naturally began to show one another specimens of their skill. Albrecht frankly admired and made much of all Bellini's works.

The next day Billy arrived, a thin, white scarecrow of a dog. He was sick and unhappy, and would eat nothing, and started up at the slightest sound. He was listening for the Italian's footsteps, but he never came, and one day Mr. Harry looked up from his newspaper and said, "Laura, Bellini is dead."

You see it was like this: Twice a week, just after sundown, we used to see Gian Bellini untie his boat from the landing there behind the Doge's palace, turn the prow, and beat out for Murano, with no companion but that deaf old caretaker.

Whatever de Hooghe could do in shade, Van Eyck in detail, Giorgione in mass, Titian in colour, Bewick and Landseer in animal life, is here at once; and I know no other picture in the world which can be compared with it." In the same room is a figure of Christ mourned by two little angels, ascribed to Giovanni Bellini, but bearing Durer's monogram.

Bellini also candidly expressed his admiration of various features of Albrecht's skill, and particularly the fineness and delicacy with which he drew hairs. It chanced one day that they were talking about art, and when their conversation was done Bellini said: "Will you be so kind, Albrecht, as to gratify a friend in a small matter?"

The style is that of the Corinthian renaissance, and Walpole's description applies as much to-day as when he wrote. The pictures include some of the masterpieces of Reynolds, Lely, Vandyck, Rubens, Tintoretto, Canaletto, Giovanni Bellini Domenichino and Annibale Caracci. Two or three miles to the south, the road finds itself close to the deep valley of the Derwent.

There is a fine, solemn horizon with a gleam of twilight. There are several Tintorets, but no favorable specimens, a portrait is the best. There is also a Giovanni Bellini, which brings back the Venetian altar-pieces, quiet and lovely; and a Giorgione, like the large one in the Louvre, in many ways; a Madonna and Infant, with a fine female Saint and a noble Saint George.

Indeed, it is from 1454 to 1572, between the institution of state inquisitors and the battle of Lepanto, between the accomplishment of internal despotism and the last of the great outward victories, that the brilliant productions of Venetian art appear. John Bellini was born in 1426, Giorgone died in 1511, Titian in 1578, Veronese in 1572 and Tintoretto in 1594.

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