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Updated: June 22, 2025
That critic was more successful in attracting public attention to Degas and Rops; and Moreau, a born eclectic, though without any intention of carrying water on both shoulders, was regarded suspiciously by his associates at the Beaux-Arts, while the new men he praised, Courbet, Manet, Whistler, Monet, would hold no commerce with him.
The works of Poussin, which have been likened to painted reliefs, afford an excellent example of French Art in his time 1594-1665 and this in spite of the fact that he worked and studied much in Rome. The Académie des Beaux-Arts was established by Louis XIV., and there was a rapidly growing interest in art.
Peter Martyr is, so far as the writer is aware, to be derived from an apparently faithful modern copy by Appert, which hangs in the great hall of the École des Beaux-Arts in Paris. Even through this recent repetition the beholder divines beauties, especially in the landscape, which bring him to silence, and lead him, without further carping, to accept Titian as he is. S. Marciliano, Venice.
<b>NOURSE, ELIZABETH.</b> Medal at Chicago Exposition, 1903; Nashville Exposition, 1897; Carthage Institute, Tunis, 1897; elected associate of the Beaux-Arts, Paris, 1895; silver medal, Paris Exposition, 1900; elected Sociétaire des Beaux-Arts, 1901.
I could not easily forget the young Architect who was then getting ready to conquer Philadelphia to borrow a phrase from Zola, as seems but appropriate in writing of the Eighties for which great end all the knowledge of the Beaux-Arts could not have served him as well as his conviction that the architecture of Europe had waited for him to discover it.
Pupil of School of Fine Arts, St. Louis, Academy Julian, Paris, and of Carolus Duran. Exhibited at Salon des Beaux-Arts, 1902, "The October Sun," "The Last Rays," and "The Rain"; in 1903, "A Snow Scene."
<b>DEMONT-BRETON, VIRGINIE.</b> Paris Salon, honorable mention, 1880; medals of third and second class, 1881, 1883; Hors Concours; gold medal at Universal Exposition, Amsterdam, 1883; Paris Expositions, 1889 and 1900, gold medals; medal of honor at Exposition at Antwerp; Chevalier of the Legion of Honor and of the Belgian Order of Leopold; officer of the Nichan Iftikhar, a Turkish order which may be translated "A Sign of Glory"; member and honorary president of the Union des femmes peintres et sculpteurs de France, of the Alliance Feminine, of the Alliance Septentrionale; fellow of the Royal Academy, Antwerp; member of the Société des Artistes Français; member of the committee of the Central Union of Decorative Arts and of the American National Institute; member of the Verein der Schriftstellerinnen und Künstlerinnen of Vienna; one of the founders of the Société Populaire des Beaux-Arts and of the Société de bienfaisance l'Allaitement Maternel, etc.
Member of the Société des Artistes Français, the Société Nationale des Beaux-Arts, Société des prix du Salon et boursiers de voyage de la Société Nationale. Born in Paris. Pupil of Jean Paul Laurens and Benjamin-Constant.
"Oh," he said, when I told him the news, "Makarov. A man who looks like Turguenev, smells of French perfumes, speaks of the arts and is a contractor!?... Of course I know of him. He is from the "Brussov and Makarov Contracting Company" the rascal! Kerensky knew him long ago, I am sure. The first thing when he got powerful he appointed Makarov as something in the Ministry of Beaux-Arts!"
Julian, wife of the head of the Academy in which she was educated. Associate of National Academy of Design, member of Society of American Artists, associate of Société des Beaux-Arts, Paris. Born in Philadelphia. Studied under Mrs. T. A. Janvier, Adolf van der Weilen, and William Sartain in Philadelphia; under Robert-Fleury, Bouguereau, and Benjamin-Constant, in Paris. Her portraits are numerous.
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