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Châteaubriand asserts that Madame Récamier felt this slight severely, but Madame Lenormant makes no allusion to the circumstance. At Lyons Madame Récamier met the author, Monsieur Ballanche. He was presented to her by Camille Jordan, and, in the words of her biographer, "from that moment Monsieur Ballanche belonged to Madame Récamier." He was the least exacting of any of her friends.

Ballanche, that is his name," cried out the ignorant creature; "I knew I saw two names on the hand-bill! Do you know them?" "I am not acquainted with Sophocles," said the Prince, becoming more and more jovial, "but I know Ballanche; I have seen him at the Academy."

Nothing could be more unselfish and beautiful than the love with which Madame Récamier inspired Ballanche, who had nothing to give and nothing to ask but sympathy and kindness. One of the most touching and tender friendships ever recorded was the intercourse between Châteaubriand and Madame Récamier when they were both old and infirm.

On this occasion, he spoke once more of the extraordinary talent of David, which was as great in conception as in execution. He also showed me a number of the newest works, which had been presented to him, through the medium of David, as gifts from the most distinguished men of the romantic school. I saw works by St. Veuve, Ballanche, Victor Hugo, Balzac, Alfred de Vigny, Jules Janin, and others.

He says: "'La Peau de Chagrin' is the formula of human life, an abstraction made from individualities, and, as M. Ballanche says, everything in it is myth and allegory. It is therefore the point of departure for my work.

Hither came to see her Ballanche, now a resident of Paris, Mathieu de Montmorency, M. de Châteaubriand, the Due de Broglie, and the most distinguished nobles of the ancient regime, with the literary lions who once more began to roar on the fall of the tyrant who had silenced them, including such men as Barante and Benjamin Constant.

Sightless and sad, it was time for her to die. Madame de Staël and Montmorency, the friends of her youth, had long since departed. Ballanche was gone, and now Châteaubriand. She survived the latter only eleven months.

We publish, but without assuming any responsibility for it, this opinion of a pupil of Monsieur Ballanche. No information has reached us as to the fate of the negroes' heads in diamonds. You may see Madame du Val-Noble every evening at the Opera. Thanks to the education given her by the Chevalier de Valois, she has almost the air of a well-bred woman.

He did not announce or conceive any theory of Progress, but his speculation, bewildering enough and confused in its exposition, contained principles which seemed predestined to form the basis of such a doctrine. The first edition of the Scienza nuova appeared in 1725; the second, which was a new work, in 1730. Vico influenced Ballanche, a writer who enjoyed a considerable repute in his day.

But Ballanche lay dying in the opposite house, and, true to the noble instincts of her heart, she could not let the friend who had loved her so long and well die alone. She crossed the street, and took her place by his bedside, thus sealing her own fate, for all hopes of recovering her sight were lost.