Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 21, 2025
And so I endeavoured to render in Latin two tragedies of Euripides, the Hecuba and the Iphigeneia in Aulis, in the hope that perchance some god might favour so bold a venture with fair breezes. At what a cost in exertion, those will best feel who enter the same lists. Why so?
From Theseus' town, from Aulis' strand From Phocis, from the Spartan land, From Asia's distant coast, they wend, From every island of the sea, And from the stage they hear ascend The chorus's dread melody. Who, sad and solemn, as of old, With footsteps measured and controlled, Advancing from the far background, Circle the theatre's wide round. Thus, mortal women never move!
Dreading some treachery, he absolutely refused all entreaties to enter the town, and Ali seeing that it was useless to insist, and that his adversary for the present was safe, at once sent his grand-daughter, the Princess of Aulis, out to him. This matter disposed of, Ali was able to attend to his hideous family tragedy.
Then, as they take their places and begin their rhythmic dance, in a strain of impassioned verse that is at once a narrative and a lyric hymn, they tell, or rather, present in a series of vivid images, flashing as by illumination of lightning out of a night of veiled and sombre boding, the tale of the deed that darkened the starting of the host the sacrifice of Iphigenia to the goddess whose wrath was delaying the fleet at Aulis.
When the mother and daughter arrived at Aulis they learned the bitter truth. Iphigeneia was indeed sacrificed, but Artemis spirited her away to the country now called Crimea, there to serve as her priestess.
For when the army was gathered together in Aulis she caused that the winds blew ever from the north and hindered the ships from their voyage, so that the men were pinched with hunger and wasted with disease.
The Queen being at the Opera with the Emperor, the latter did not wish to show himself; but she took him by the hand, and gently drew him to the front of the box. This kind of presentation to the public was most warmly received. The performance was "Iphigenia in Aulis," and for the second time the chorus, "Chantons, celebrons notre Reine!" was called for with universal plaudits.
Between the end of 1848 and the end of 1854 he wrote at least a dozen long pamphlets, and as many more that are not so long; he wrote the words of the Ring and composed and scored the Rhinegold, and began the music of the Valkyrie. Further, he revised the overture to Gluck's Iphigenia in Aulis, and reconstructed his own Faust overture.
The Queen being at the Opera with the Emperor, the latter did not wish to show himself; but she took him by the hand, and gently drew him to the front of the box. This kind of presentation to the public was most warmly received. The performance was "Iphigenia in Aulis," and for the second time the chorus, "Chantons, celebrons notre Reine!" was called for with universal plaudits.
Throughout the score of 'Iphigénie en Tauride' the declamation is as vivid and true as in 'Alceste, while the intrinsic loveliness of the music yields not a jot to the passion-charged strains of 'Armide. The overture paints the gradual awakening of a tempest, and when the storm is at its height the curtain rises upon the temple of Diana at Tauris, where Iphigenia, snatched by the goddess from the knife of the executioner at Aulis, has been placed as high priestess.
Word Of The Day
Others Looking